Be Bop Wino Pages

Joan Selects - the complete Joan Selects Collection

Big Ten Inchers - 78rpm rips by El Enmascarado


Attention Mac Users!

Mac users have been experiencing problems in unpacking the WinRAR archives used on this blog. Two solutions have been suggested.

1. Use The Unarchiver - www.theunarchiver.com - see comments on Little Esther Bad Baad Girl post for details.

2. Use Keka - http://www.kekaosx.com/en/ - see comments on Johnny Otis Presents post.

Tuesday, 12 February 2019

Memphis Blues























Side 1:
01. Passing By Blues - Howlin' Wolf
02. I'm The Wolf - Howlin' Wolf
03. The Way You Treat Me - Joe Hill Louis
04. Highway 99 - Joe Hill Louis
05. Walter's Blues - Walter Horton
06. Love My Baby - Bobby Bland & Junior Parker

Side 2:
01. Drifting From Town To Town - Bobby Bland
02. Western Union Man - Joe Hill Louis
03. The Sun Is Rising - Howlin' Wolf
04. My Friends - Howlin' Wolf
05. Lonesome Bedroom Blues - Willie Nix
06. Little Boy Blue - Walter Horton






This LP was originally issued on the Bihari's Kent label around 1969/70 as part of the "Anthology Of The Blues" series which was later reissued on their budget United label and then on the French Musidisc label. I posted the two Elmore James LPs from this series back in 2016, leaving another 3 from the series to post, which I'll be doing over the next week or two.

"Memphis Blues" follows on nicely from the previous post of Howlin' Wolf's recordings for Sam Phillips. This LP has 4 of the sides Wolf recorded for Joe Bihari and Ike Turner in West Memphis after the great fall out between Sam and the Biharis as recounted in the posts on Wolf and Rosco Gordon.

The first track on the LP, Wolf's "Passing By Blues," suffers from a woefully out of tune piano on which Ike Turner bashes away enthusiastically. Don't let that put you off because the rest of the tracks are pretty ace. Many were recorded in 1951 at the Memphis Recording Service pre-dating the Phillips / Bihari dispute. Full details are below.

Trax Fax

Howlin' Wolf -

"Passing By Blues" - recorded on October 2nd 1951, West Memphis. Released on RPM 340 in December 1951. Personnel - Howlin' Wolf (vocal, harmonica); Ike Turner (piano); Willie Johnson (guitar); Willie Steele (drums).

"I'm The Wolf," "The Sun Is Rising" and "My Friends" recorded in West Memphis on February 12th, 1952. First released this album Kent LP 9002). Personnel as above, add unknown bass player.

Joe Hill Louis -

One man band - vocal, guitar, harmonica, hi-hat, bass drum.

"Highway 99" and "The Way You Treat Me" - recorded on April 30th, 1951, Memphis Recording Service. First released on this album (Kent LP 9002).

"Western Union Man" - recorded on February 24th, 1953 at the Meteor Recording Studio, Memphis. First released on this album (Kent LP 9002). Different take to version released on Meteor 5004 as by "Chicago Sonny Boy."

Bobby Bland -

"Love My Baby" - recorded on January 24th, 1952, Memphis Recording Service. First released on this album (Kent LP 9002). Personnel - Bobby Bland (vocal); Junior Parker (vocal, harmonica); Johnny Ace (piano); Matt Murphy (guitar), Earl Forrest (drums).

"Drifting From Town To Town" - probably recorded on January 24th, 1952, Memphis Recording Service. Different version to that released on Modern 868 in June 1952. Personnel as above. First released on this album (Kent LP 9002).

Walter Horton -

"Little Boy Blue" and "Walter's Blues (I'm In Love With You)" recorded January or February 1951, Memphis Recording Service. Both first released on this album (Kent LP 9002). "Little Boy Blue" is probably a different take from that released on Modern 809. Personnel - Walter Horton (vocal, harmonica); Joe Hill Louis (guitar, percussion); Willie Johnson (guitar).

Willie Nix -

"Lonesome Bedroom Blues" recorded in July 1951, Memphis Recording Service. First released on RPM 327, Autumn, 1951. Personnel - Willie Nix (vocal, drums); Willie Johnson (guitar); Billy Love (piano).


Recommended Purchase

Blues sides released on Modern and its subsidiaries were packaged into a series of CDs by Ace (UK). "The Modern Downhome Blues Sessions" ran to 4 volumes. Volume 3 "Memphis On Down" was a 26 track collection which features some of the sides on this LP but now seems to be out of print. Try digging around! Still available from Ace as an MP3 download.

On The Blog



Grab yourselves some more of that Memphis blues sound!

Thursday, 7 February 2019

The Legendary Sun Performers: Howlin' Wolf






















Side 1:
01. My Baby Walked Off
02. Smile At Me
03. Bluebird
04. Everybody's In The Mood
05. Chocolate Drop
06. Come Back Home
07. Dorothy Mae
08. Highway Man

Side 2:
01. Oh Red
02. My Last Affair
03. Howlin' For My Baby
04. Sweet Woman
05. C. V. Wine
06. Look-A-Here Baby
07. Decoration Day
08. Well That's All Right




The Legendary Sun Performers: Howlin' Wolf (Zippy)


At first glance the title of this LP seems something of a misnomer as no Howlin' Wolf sides were issued on Sun. Perhaps it would have been more accurate to head this album with "The Legendary Memphis Recording Service Performers" as these sides were recorded by Sam Phillips for sending on to Chess Records in Chicago. However, they are from masters which lay for a quarter of a century in the Sun vaults, many of them being previously unissued until this 1977 collection.

As with the other LP I posted from this series, a Rosco Gordon collection, we find ourselves in the middle of the tug of war between Modern / RPM in Los Angeles and Chess in Chicago for material being recorded by Sam Phillips in Memphis. This led to a situation in which Wolf recorded sides for Sam Phillips which were sent on to Chess, while at the same time he recorded sides in West Memphis under the supervision of Joe Bihari and Ike Turner for issue on Modern / RPM.

Howlin' Wolf had moved to West Memphis, Arkansas, in 1948, where he formed a dynamite electric blues band called the House Rockers. At 6 feet 3 inches tall, he was an imposing figure who "sang" intense blues in an unforgettable hoarse shout and could also play guitar and harmonica. The early lineups of his band included guitarists Matt Murphy and Willie Johnson, Junior Parker on harmonica, William "Destruction" or "'Struction" Johnson on piano and Willie Steele on drums. Other musicians who appeared with the band were Pat Hare (guitar), a very young James Cotton (harmonica), Oliver Sain (drums and saxophone) and Tot Randolph (saxophone).

In 1949 or 1950 Wolf and his band gained a regular spot on West Memphis radio station KWEM. Across the river in Memphis, Tennessee, young record producer Sam Phillips got a tip about the Wolf from a West Memphis DJ. Sam tuned in, was impressed by what he heard (cue famous "This is for me. This is where the soul of man never dies" quote) and duly set up a recording session at his studio on Union Avenue, Memphis.

West Memphis Days

Sometime in 1951 (probably May), Howlin' Wolf cut a demo of "Riding In The Moonlight" (aka "Baby Ride With Me") for Sam who sent the master to Modern Records in Los Angeles. On May 14th, 1951, Sam got Wolf into the studio for another cut of "Riding In The Moonlight" plus "How Many More Years" which he again sent to Modern, who didn't release them. In the meantime the Modern / Chess dispute was under way due to the success of Sam's recording of "Rocket 88" by Jackie Brenston on Chess, a record which the Biharis (owners of Modern and RPM) reckoned Sam should have sent to them.

West Memphis grocery store opening, early 1950s

Howlin' Wolf's next session for Sam was in July 1951 and the resulting masters "How Many More Years" and "Moanin' At Midnight" went to Chess who released the sides on Chess single 1479 in August. This record was a big seller in several locations and it eventually hit the national R&B Jukebox Chart at number 6 in March 1952.

Billboard 23rd February 1952

Now the Chess / Modern war really heated up. In September 1951 Wolf recorded a session for the Biharis at KWEM, West Memphis, which resulted in RPM 333 being released that same month - "Riding In The Moonlight" backed by "Morning at Midnight" which was a thinly disguised remake of the Chess side "Moanin' At Midnight." This session was supervised by Joe Bihari and Ike Turner who would go on to record further sides by Wolf for RPM at a private house in West Memphis over two sessions in October 1951 and January 1952. During this time Wolf also recorded sides with Sam Phillips in Memphis for release on Chess, these sessions taking place in December 1951, January 1952, April 1952 and October 1952.

The West Memphis session on October 2nd 1951 resulted in two releases - RPM 340 - "Passing By Blues" / "Crying At Daybreak" which was released in December 1951, and RPM 347 "My Baby Stole Off" / "I Want Your Picture", released in January 1952.

On December 18th, 1951, Wolf was back at Sam Phillips' studio where he cut "Howlin' Wolf Boogie" and "The Wolf Is At Your Door" which were released on Chess 1497 in January 1952. Another side from this session, "Worried All The Time", was released on Chess 1515 in July 1952.

On January 23rd 1952, a Sam Phillips session produced Chess 1510 - "Gettin' Old And Grey" / "Mr. Highway Man" which was released in April 1952.

The West Memphis session on February 12th, 1952, which was the Wolf's last for the Biharis, resulted in 7 sides being recorded, none of which were released on single. 3 of them, "House Rockin' Boogie," "Brown Skin Woman" and "Worried About My Baby" were eventually released on the Crown LP "Howling Wolf Sings The Blues" in 1962.

Later in February 1952, Chess and Modern came to an agreement. Howlin' Wolf became an exclusive Chess artist while Modern got exclusive rights to Rosco Gordon (or so they thought).

On April 17th, 1952, the Wolf returned to Sam's studio where among the sides he cut was "Saddle My Pony" which was released with "Worried All The Time" from the December 1951 session on Chess 1515 in July 1952.

The Wolf's next session wasn't until October 7th, 1952, when he cut four sides for Sam, two of which were released on Chess 1528 in November 1952 - "Oh Red!!" and "My Last Affair."

There is some doubt about a series of recordings by Howlin' Wolf which are often listed as Memphis recordings from an unknown date which were subsequently remastered at the Chess Studio in Chicago in September and October 1953. It is likely that these recordings were in fact made in Chicago in 1953. One single resulted from these recordings, Chess 1557 - "All Night Boogie" / "I Love My Baby," released in December 1953.

Howlin' Wolf moved to Chicago in 1952 or 1953 and his subsequent recordings were made at the Chess Studio, perhaps from September 1953 onwards (see above), but without doubt from March 1954 onwards.


Recording Dates of the Trax on "The Legendary Sun Performers" LP:

All tracks recorded at Memphis Recording Service, 706 Union Avenue, Memphis Tennessee.

01. My Baby Walked Off - January 23rd, 1952
02. Smile At Me - December 18th, 1951
03. Bluebird - April 17th, 1952
04. Everybody's In The Mood - April 17th, 1952
05. Chocolate Drop - January 23rd, 1952
06. Come Back Home - October 7th, 1952
07. Dorothy Mae - April 17th, 1952
08. Highway Man - January 23rd, 1952
09. Oh Red - October 7th, 1952
10. My Last Affair - October 7th, 1952
11. Howlin' For My Baby - December 18th, 1951
12. Sweet Woman - April 17th, 1952
13. C. V. Wine - October 7th, 1952
14. Look-A-Here Baby - December 18th, 1951
15. Decoration Day - April 17th, 1952
16. Well That's All Right - April 17th, 1952


Session Details for the above Trax:

December 18th, 1951 -

Personnel: Howlin' Wolf (vocal, harmonica) with: L.C.Hubert (piano); Willie Johnson (guitar); Wille Steele (drums); unknown bass and tenor sax.

Smile At Me
Howlin' For My Baby
Look-A-Here Baby

Howlin' For My Baby released as The Wolf Is At Your Door on Chess 1497 in June 1952. Rest of these sides unreleased.

Also recorded: Howlin' Wolf Boogie (Chess 1497), California Blues, California Boogie, Worried All The Time (Chess 1515).

January 23rd, 1952 -

Personnel: Howlin' Wolf (vocal, harmonica) with: L.C.Hubert (piano); Willie Johnson (guitar); Wille Steele (drums); unknown bass and saxes.

My Baby Walked Off
Mr. Highway Man
Chocolate Drop

Mr. Highway Man is an alternate take of Chess 1510 (April 1952). Rest of these sides unissued.

Also recorded: Gettin' Old And Grey (Chess 1510), My Troubles And Me.

April 17th, 1952 -

Personnel: Howlin' Wolf (vocal, harmonica) with: James Cotton (harmonica) on "Dorothy Mae"; William "Struction" Johnson (piano); Willie Johnson (guitar); Willie Steele (drums); unknown bass.

Everybody's In The Mood
Bluebird
Dorothy Mae
Sweet Woman
Well That's All Right
Decoration Day

All sides unissued.

Also recorded: Saddle My Pony (Chess 1515), Color And Kind.

October 7th, 1952 -

Personnel: Howlin' Wolf (vocal, harmonica) with: James Cotton (harmonica); Walter "Tang" Smith (trombone on Oh Red); Charles Taylor (tenor sax on Oh Red); L.C. Hubert (piano); Willie Johnson (guitar); Willie Steele (drums); unknown bass.

Oh Red
My Last Affair
C. V. Wine Blues
Come Back Home

"Oh Red"!! and "My Last Affair" released on Chess 1528 in November 1952. Rest of these sides unissued.

The Howlin' Wolf CDs in my collection are:

"Come Back Home" (SBLUECD017) is a budget priced compilation of 20 of the Memphis Recording Service tracks. Snapper, Complete Blues series, 2004.


"Howling Wolf Sings The Blues" is an augmented reissue of Crown LP 5240. The original LP had 10 Modern / RPM tracks, 2 of which were actually Joe Hill Louis instrumentals. For this issue Ace added 10 more tracks from the RPM vaults, including the early demos of "Ridin' In The Moonlight." This collection comprises just about everything recorded by The Wolf for the Biharis. Ace CDCHM 1013, released in 2004.

Also in my collection:


"Howlin' Wolf - The Genuine Article." - 25 track comp of Chess sides which includes "Moanin' At Midnight" and "How Many More Years" from the Sam Phillips sessions. Loads of later classics such as "Spoonful," "Smokestack Lightnin'," "Back Door Man,"  etc. MCA MCD 11073, 1997.

 

"Howlin' Wolf: His Best Vol. 2" - 20 more Chess sides such as "Down In The Bottom," "Rockin' Daddy," etc. Some duplication with "The Genuine Article." Includes "Howlin' Wolf Boogie" and "Mr. Highway Man" from the Sam Phillips sessions.Also "All Night Boogie" from the 1953 tracks which are sometimes attributed as Memphis recordings. Universal, 112 026-2, issued in 2000.

Recommended reading -


"Moanin' At Midnight: The Life and Times Of Howlin' Wolf", by James Segrest and Mark Hoffman, Pantheon Books, New York, 2004.

Information for this post was found in the above book, plus - liner notes by Dave Sax to Ace CD "Howling Wolf Sings The Blues," and the Bruyninckx discography. Online sources - www.45worlds.com, www.discogs.com, www.706unionavenue.nl, Billboard on Google Books.

Sunday, 27 January 2019

Hand Me Down Blues





















Side One:
01. Watch Yourself - Henry Gray
02. That Ain't Right - Henry Gray
03. Goodbye Baby - Henry Gray
04. You Messed Up - Henry Gray
05. He Don't Love You - Dusty Brown
06. Yes She's Gone - Dusty Brown
07. Hurry Home - Dusty Brown
08. Rusty Dusty - Dusty Brown

Side Two:
01. Hand Me Down Blues - Albert King
02. Little Boy Blue - Albert King
03. Gary Stomp - John Brim
04. Going Back To Memphis - Sunnyland Slim
05. Devil Is A Busy Man - Sunnyland Slim
06. Crosstown Blues - Snooky Pryor
07. I Want You For Myself - Snooky Pryor
08. Four Day Jump - Little Willie Foster






Thanks to Charlie B who has contributed another blues compilation, and once more it's an LP issued by Relic in 1989 / 1990. The label used on the disc is Blue Lake, a Chicago based label owned by deejay Al Benson which he ran in conjunction with his better known Parrot label.

This is a collection of sides recorded for Benson between 1953 and 1955, some of which were unreleased at the time and some of which were released as singles on Parrot or Blue Lake. Full recording and release details are given below. Much of the information is from the Red Saunders Research Foundation page on the Parrot Label with additional information from www.45cat.com, www.discogs.com and the Bruyninckx discography.

There is much more background information on the artists featured on this disc in the notes by Dick Shurman on the back cover of the LP. Charlie B has once again kindly scanned font and back covers and labels as well as ripping the tracks from vinyl.

Fax On The Lowdown Trax:

Henry Gray: Watch Yourself, That Ain't Right, Goodbye Baby, You Messed Up (with false start) were recorded in Chicago in late 1955. Personnel: Henry Gray (vocal, piano) with unknown (harmonica), Little Hudson Showers (guitar), James Banister (drums).

These 4 tracks were unissued until this LP.

Dusty Brown: He Don't Love You, Yes She's Gone, Hurry Home, Rusty Dusty, recorded in Chicago on October 1st, 1955. Personnel: Dusty Brown (vocal, harmonica) with Henry Gray (piano), Baby Joe Little (guitar); Johnny Sturdivant (drums).

He Don't Love You / Yes She's Gone released on Parrot 820 in November 1955.

Hurry Home and Rusty Dusty first issued on this LP.

Albert King: Hand Me Down Blues, Little Boy Blue recorded in Chicago on November 30th, 1953. Personnel: Albert King (vocal, guitar) with Johnny Jones (piano); John Brim (guitar) possibly Willie Dixon (bass) and Grace Brim (drums). This was Albert King's first ever recording session.

Hand Me Down Blues and Little Boy Blue first released on this LP.

John Brim: Gary Stomp, recorded in Chicago in March 1954 (or December 1953). Personnel: John Brim (vocal, guitar) with Jimmy Reed (harmonica); Eddie Taylor (guitar); Grace Brim (drums).

Gary Stomp released on Parrot 799, B-Side of Tough Times, in April 1954. John Brim and his Stompers.

Sunnyland Slim: Going Back To Memphis, Devil Is A Busy Man, recorded in Chicago in 1954. Personnel: Sunnyland Slim (vocal, piano) with possibly Snooky Pryor (harmonica) and Eddie Taylor (guitar).

Going Back To Memphis / Devil Is A Busy Man released on Blue Lake 105 in June 1954.

Snooky Pryor: Crosstown Blues, I Want You For Myself, recorded in Chicago, May / June 1954. Personnel: Snooky Pryor (vocal, harmonica) with Lazy Bill Lucas (piano); Eddie Taylor (guitar); Moody Jones (bass).

Crosstown Blues / I Want You For Myself released on Parrot 807 in the summer of 1954.

Little Willie Foster: Four Day Jump recorded in Chicago on January 14th, 1955. Personnel: Little Willie Foster (harmonica); Eddie Taylor (guitar); Floyd Jones (guitar); Lazy Bill Lucas (piano).

Falling Rain Blues / Four Day Jump by "Little" Willy Foster released on Blue Lake 113 circa March 1955. Later re-released on Parrot 813 in July 1955.

Friday, 25 January 2019

Desperate Rock'N Roll Volume 2





















Side One:
01. Look At You Go - Danny Ross
02. So Tired - The Chavis Brothers
03. Rock And Roll Deacon - Screamin' Joe Neal
04. The Work Song - Tom And The Craftsmen
05. Ain't About To Go Home - Donnie Nix
06. Rocking Jalopy - The Alabama Kid
07. Johnny B. Goode - Johnny Candles
08. Turkey Hop - Lionel Hampton
09. Man From Mars - Butch Paulson
10. Shortnin' Bread - The Readymen

Side Two:
01. Woman Love - Jimmy Johnson
02. You Know I Love You - Eddie Kirkland
03. I Don't Need You No More - The Rumblers
04. Ice Water - Glen Barber
05. Rockin' Out The Blues - The Musical Linn Twins
06. Cruisin' - "Bucky" & Premieres
07. Won't You Love Me - Buddy and The Fads
08. Long Legged Linda - The Kids From Texas
09. Not Like Now - Freddy Robinson
10. Live It Up - The Sundowners






Back in the already distant summer of 2018 I posted Desperate Rock'N Roll Volume Ten along with a write up on the whole fershluggener ethos behind This Sort Of Thing. Pulp magazines, ex-jukebox singles, greasy cafes with steamed up windows, and a ton o' obscure rockabilly, surf, R&B and degenerate country sounds. What's not to like?

I recently found another volume in the series in a local second hand shop, so here we go with another set of the same. The internet provides sources of information on the background to these tracks, so below you'll find some details dug out from Rockin' Country Style which has a page on this comp with info and label shots of the rockabilly and country sides; and for the R&B and surf tracks, www.45cat.com; www.discogs.com; YouTube; and the Bruyninckx discography. I couldn't find  anything on Johnny Candles, whom God preserve. EDIT - info on "Johnny Candles" has been added thanks to Apesville's comments. See comments for links to Apesville's blog and YouTube clip with original Johnny Canales single of "Johnny B. Good."


Fax on the wild, wild trax:

01. Look At You Go - Danny Ross: Minor MH-107 b/w Gold Digger; circa 1957/8.

02. So Tired - The Chavis Brothers: Clock C 1025 b/w I Love You; August 1960.

03. Rock And Roll Deacon - Screamin' Joe Neal: Shippings 13229 b/w Tell Me Pretty Baby; 1959.

04. The Work Song - Tom And The Craftsmen: Gulfstream 1058 b/w Roses Are Red; 1962.

05. Ain't About To Go Home - Donnie Nix: Wilrod 1001 b/w I Saw Her Yesterday; September 1964.

06. Rocking Jalopy - The Alabama Kid: Varsity 83 b/w Where Did You Go; December 1965.

07. Johnny B. Goode - Johnny Candles: no information / EDIT thanks to Apesville (see comments) "Johnny Candles" is Johnny Canales. Track 7 is therefore:

Johnny B. Good - Johnny Canales and his Orchestra: Penco JC-116-3; circa 1962.

08. Turkey Hop - Part One - Lionel Hampton: Decca 24992 b/w Turkey Hop - Part Two; 1950.

09. Man From Mars - Butch Paulson with "The Motations": Virgelle 708 b/w My Own Brother; 1961.

10. Shortnin' Bread - The Readymen: Bangar BA 00655 b/w Surfer Blues; December 1964.

11. Woman Love - Jimmy Johnson: Starday 45-561 b/w All Dressed Up; May 1956.

12. You Know I Love You - Eddie Kirkland: Lu Pine recording, circa 1959-61. Released on 1970s Relic LP "3 Shades Of The Blues."

13. I Don't Need You No More - The Rumblers: Downey D-103, B-Side of Boss; September 1962. Also released on Dot 45-16421 in November 1962.

14. Ice Water - Glen Barber: Starday 45-166 b/w Ring Around The Moon; November 1954.

15. Rockin' Out The Blues - The Musical Linn Twins: Blue Feather OP-277x45 b/w Indian Rock; March 1958.

16. Cruisin' - "Bucky" & Premieres: Nu-Phi 701 b/w Summer School. Date unknown.

17. Won't You Love Me - Buddy and The Fads: Morocco M-101 b/w Is It Just A Game; June 1958.

18. Long Legged Linda - The Kids From Texas: Hanover 4500 b/w I'm So Lonely; May 1958.

19. Not Like Now - Freddy Robinson: Limelight Y-3005x45 b/w Five Feet Of Lovin'; June 1958.

20. Live It Up - The Sundowners: T.R.C.-2839 (Texas Record Company) b/w Our Last Date; June 1962.

Sunday, 13 January 2019

Count Basie and his Orchestra - Swingin' The Blues LP























Side 1:
01. Swinging The Blues
02. John's Idea
03. Blue & Sentimental
04. Texas Shuffle
05. Panassie Stomp
06. Sent For You Yesterday And Here You Come Today
07. You Can Depend On Me
08. Every Tub

Side 2:
01. Jumpin' At The Woodside
02. Time Out
03. Jive At Five
04. Oh Lady Be Good
05. Shorty George
06. Out The Window
07. Topsy
08. Doggin' Around






I've included "LP" in the title of this post and also in the tagging of this album because, as many of you will be aware, I've previously posted the cassette version of this collection. It was re-upped in March 2015 here:


That was in response to a request for a re-up of the album which was originally posted in August 2008 here:


Last year I came across this LP while browsing in a local charity shop, so here for your delectation is the vinyl version. The sound on the vinyl rips differs considerably from the cassette rips, being clearer, although there are the inevitable clicks, pops and crackles to remind us that the source is a second hand record.

These are recordings made between July 1937 and February 1939 for Decca in New York (the band having migrated from Kansas City in 1936). The lineup includes tenor sax duo Lester Young and Herschel Evans (replaced by Chu Berry in the final session as Evans was in hospital with the heart condition which would cause his death 6 days later). There is the All-American Rhythm Section of Freddy Green (guitar), Walter Page (bass), Count Basie (piano) and Jo Jones (drums). Earl Warren features on clarinet and alto sax, Buck Clayton on trumpet and, shouting the blues on 2 numbers, Mister Five by Five himself, Jimmy Rushing.

Full band lineups and recording dates are on the back cover along with an essay by jazz critic Stan Britt.

Sunday, 6 January 2019

Jimmy Rushing - I Want A Little Girl























 
Side 1:
01. My Baby's Business
02. Jimmy's Round The Clock Blues
03. Thursday Blues
04. Good Mornin' Blues
05. I've Got To Have You That's All
06. I Want A Little Girl
07. I'm So Lonely
08. Go Get Some More You Fool

Side 2:
01. Hi-Ho-Sylvester
02. The Way I Feel
03. In The Moonlight
04. She's Mine, She's Yours
05. Where Were You?
06. Somebody's Spoiling These Women
07. My Last Affair
08. Baby, Don't Tell On Me




I Want A Little Girl (Zippy)


Jimmy Rushing was the first of the great male blues shouters and a big influence on all who followed in his footsteps, from Joe Turner to Wynonie Harris, from Jimmy Witherspoon to Gatemouth Moore.

He is associated with the roaring Kansas City big blues bands, starting with Walter Page's Blue Devils in the late 1920's and then of course with Bennie Moten and Count Basie. None of the sides on this compilation are with the Basie band (officially), although the first six tracks were recorded while Jimmy was still a member of the Basie outfit. "My Baby's Business" and Jimmy's Round The Clock Blues" were recorded at a Johnny Otis session in LA in 1945 for Excelsior. A year later Jimmy again recorded for Excelsior (tracks 3-6) with the backing band, which consisted mostly of Count Basie band members, going under Jimmy Mundy's name.

The Count Basie band broke up in 1950 and Jimmy kept going with a small group which often featured Dickie Wells, Buddy Tate and Walter Page. He recorded a couple of singles for Gotham in 1950 (not included) and then in 1951 - 1952 four singles for King Records. All of the King sides are on this comp. The remaining two sides here were released as a single on Okeh in 1957 by which time Jimmy was well established in the jazz LP market with releases on Vanguard and Columbia. A single recorded for Parrot in Chicago (Mr 5 x 5) in 1953 with the Frank Culley band is not included.

Full recording details are on the back cover along with an excellent essay by Alun Morgan. I hope you enjoy these sides aimed at the Race Records / R&B market rather than the jazz audience which sustained Jimmy's career through the second half of the 1950's, the 1960's and the early 1970's.

A belated Happy New Year to all followers of Be Bop Wino. We'll be rockin' through 2019!

Sunday, 23 December 2018

Freddy King - Lula Reed - Sonny Thompson - Boy-Girl-Boy






















Side 1:
01. Do The President Twist - Lula Reed & Freddy King
02. I Got A Notion - Lula Reed
03. Know What You're Doing - Lula Reed
04. You Can't Hide - Lula Reed & Freddy King
05. What Makes You So Cold - Lula Reed
06. Puddentane - Lula Reed

Side 2:
01. (Let Your Love) Watch Over Me - Lula Reed & Freddy King
02. I'm A Woman (But I Don't Talk Too Much) - Lula Reed
03. Waste No More Tears - Lula Reed
04. It's Easy, Child - Lula Reed & Freddy King
05. I Know - Lula Reed
06. Why Don't You Come On Home - Lula Reed






I've "reconstructed" this LP using artwork from Discogs.com, and a record sales site (I've forgotten which one) and sound files ripped from my collection.

King LP 777, resplendent in astonishingly tacky artwork, was issued in September 1962. Although Freddy King is billed first, this is really a Lula Reed album. We saw in the previous post "I'm Gone, Yes I'm Gone" that Lula started recording for King as vocalist with the Sonny Thompson band in 1951. Her last session for King was in August 1956, then she recorded sides for release on the Chess subsidiary label Argo during 1958-59.

In 1961 she was back with Sonny Thompson at King and during January and March of that year they recorded sides which were released on the King subsidiary label Federal. In February 1962 Lula and Sonny teamed up with guitarist / singer Freddy King for some sides which were also released on Federal. Full details of the original releases and recording sessions of the tracks on this LP are given below.

The tracks on this LP consist of 2 from Lula's earlier stay at King ("Why Don't You Come On Home" and "Waste No More Tears" from 1955/56); 6 tracks from her 1961 Federal sessions, and 4 tracks from her 1962 sessions with Freddy King. It's noticeable that Lula's style changed in the early 60s recordings as she utilised a raunchier, more earthy delivery which packed a fair old punch into "Puddentane" and was equally effective on more plaintive songs like the wonderful "I Know."

The sessions with Freddy King were Lula's last for King / Federal. In September 1962 she started recording for Ray Charles' Tangerine label (perhaps he remembered her original version of "I'll Drown In My Tears" which he adapted as "I'll Drown In My Own Tears"). After 2 more sessions for Tangerine in May and June 1963, Lula retired from recording. That was it. No more records from one of the best female R&B vocalists of the 1950s / early 60s. She had gone back to her church roots, renounced the secular for the sacred, and was lost to the world of R&B and Soul Music. Truly a gain for the Lord but a loss for the worldly.

Fax on the Traxxxx

King LP 777 (Boy-Girl-Boy) was released in September 1962.

Original single release details:

Why Don't You Come On Home / I'm Giving All My Love - King 4811 - July 1955

Every Second / Waste No More Tears - King 4996 - December 1956

I'm A Woman (But I Don't Talk Too Much) / I Know - Federal 12407 - February 1961

I Got A Notion / Puddentane - Federal 12416 - May 1961

You Gotta Have That Green / Know What You're Doing - Federal 12426 - September 1961

On the next 4 Federal issues Lula Reed was credited as "Lulu Reed."
 Ain't No Cotton Pickin' Chicken (Gonna Break This Chicken Heart Of Mine) / What Makes You So Cold - Federal 12440 - December 1961

*Do The President Twist / Your Love Keeps A-Working On Me - Federal 12457 - March 1962. B Side credited to "Lulu Reed."

*(Let Your Love) Watch Over Me / *You Can't Hide - Federal 12471 - July 1962

*It's Easy Child / Say Hey Pretty Baby - Federal 12477 - November 1962. B Side credited to "Lulu Reed."

* = "Lulu Reed & Freddy King"

The recording sessions:

Why Don't You Come On Home - Lula Reed (vocal) with Jewell Grant (alto sax); David Brooks (tenor sax); Tommy Purkson (baritone sax); Sonny Thompson (piano); Clarence Kenner (guitar); Albert Winston (bass); Albert Bartee (drums).
Los Angeles, March 29th, 1955

Waste No More Tears - Lula Reed (vocal) with Tommy Purkson (alto sax); David Brooks, Raymond Felder (tenor saxes); Alexander Nelson (baritone sax); Sonny Thompson (piano); Thomas Palmer (guitar); Albert Winston (bass); Robert Boswell (drums).
Cincinnati, August 21st, 1956

Know What You're Doing; What Makes You Feel So Cold; I Got A Notion - Lula Reed (vocal) with Osborne Whitfield (tenor sax); Sonny Thompson (piano); Freddie Jordan, Lawrence Frazier (guitars); Bill Willis (bass); Phillip Paul (drums).
Cincinnati, January 19th, 1961

Puddentane recorded in Cincinnati on March 19th, 1961 with same line up as January 19th.

I'm A Woman (But I Don't Talk Too Much) and I Know recorded in Cincinnati on March 20th, 1961 with same line up as on previous 2 sessions.

Do The President Twist; (Let Your Love) Watch Over Me; You Can't Hide; It's Easy Child - Lula Reed and Freddy King (vocals) with Gene Redd, Clifford Scott (saxes); Sonny Thompson (piano); Fred Jordan (guitar); Bill Willis (bass); Phillip Paul (drums).
Cincinnati, February 7th-8th, 1962.

Monday, 17 December 2018

Lula Reed - I'm Gone, Yes I'm Gone






















Side 1:
01. Sick and Tired
02. Jealous Love
03. Watch Dog
04. Your Key Don't Fit No More
05. Going Back To Mexico
06. Bump On A Log
07. Three Men
08. Sample Man

Side 2:
01. Troubles On Your Mind
02. The Wild Stage Of Life
03. Ain't It A Shame
04. Without Love (Ain't It A Shame)
05. I'm Gone, Yes I'm Gone
06. Why Don't You Come On Home
07. I'll Upset You Baby
08. Caught Me When My Love Was Down




I'm Gone, Yes I'm Gone (Zippy)


Here's a rather terrific compilation of Lula Reed sides from her first spell with King Records which lasted from the end of 1951 to August 1956.

Lula was of course the vocalist with Sonny Thompson's band, having won the spot after auditioning against 50 competitors. Her first recording session with the band in December 1951 resulted in 2 big R&B hits - "I'll Drown In My Tears" (# 5 in July 1952) and "Let's Call It A Day" (#9 one month later). Both of these discs were credited to Sonny Thompson, but Lula was credited on subsequent releases although backing was still by the Thompson band. One of the most enjoyable features of this LP is the quality of that backing band, especially Sonny Thompson on piano, David Brooks on tenor sax and Clarence Kenner on guitar.

Full session details are listed on the LP back cover, so I have only added the release dates of the singles and also noted in italics the sides on these singles which do not feature on this LP.

Original release of tracks on this comp

King 4649 - Don't Make Me Love You / Going Back To Mexico - August 1953

King 4688 - Watch Dog / Your Key Don't Fit It No More - December 1953

King 4703 - Troubles On Your Mind / Bump On A Log - March 1954

King 4726 - I'll Upset You Baby / Wonderful Love - July 1954

King 4748 - Sick And Tired / Jealous Love - October 1954

King 4767 - I'm Gone, Yes I'm Gone / Rock Love - January 1955

King 4796 - Without Love (Ain't It A Shame) / Caught Me When My Love Was Down - May 1955

King 4811 - Why Don't You Come On Home / I'm Giving All My Love - July 1955

King 4969 - Sample Man / Three Men - October 1956

Ain't It A Shame and The Wild Stage Of Life were first issued on this LP.

Also on the blog:


More Lula and Sonny in the next post!

Wednesday, 12 December 2018

Rosco Gordon - No More Doggin'






















Side 1:
01. Just A Little Bit
02. That's What You Do To Me
03. No More Doggin'
04. Goin' Home (Tomorrow)
05. A Fool In Love
06. Dapper Dan
07. I'm Locked Up
08. Surely I Love You

Side 2:
01. Every Night In The Week
02. What I Wouldn't Do
03. Let 'Em Try
04. Sit Right Here
05. My Chick
06. Jelly, Jelly, Jelly
07. New Orleans, La






A good collection which contains just about everything Rosco Gordon recorded for Vee-Jay between 1959 and 1961. Only 8 of these sides were released on singles, so this disc includes 7 previously unreleased sides but it's all good stuff. These are much more polished productions than the material contained in the earlier post "The Legendary Sun Performers: Rosco Gordon", with Rosco stepping back from piano playing and being accompanied by rockin' bands (some great sax breaks) and even vocal groups.

The first Vee-Jay single, a re-recording of his 1952 RPM hit "No More Doggin'" didn't sell much, but his second release "Just A Little Bit" was a hit which reached number 2 in the R&B chart and also entered the Hot 100 pop chart. Unfortunately Rosco's remaining two Vee-Jay singles failed to repeat this success and his final session for the label in 1961 remained unreleased.

Rosco, who was now based in New York City, recorded for ABC-Paramount in 1962/63 and for Old Town in 1964. He was accompanied on some records by his second wife Barbara and although they were occupied in the dry cleaning business, they would occasionally record into the 1970s for small NYC labels and their own Bab-Roc label. If you search in YouTube on "Rosco and Barbara" you can find some of their sides which were in the soul style.

In the early 1980s he was "rediscovered" and appeared at the Memphis Blues Festival in '82, toured in Europe and cut a live album for UK label JSP. Following the early death of his wife in 1984 he devoted more time to his musical career. Shortly before his own death in 2002 he was part of a live tribute to Sam Phillips at the WC Handy Awards show in Memphis, appearing in a band featuring fellow Memphis Recording Sevice alumni B.B. King, Ike Turner and Little Milton Campbell.

This concert and other scenes featuring Rosco were prominent in the film "The Road To Memphis" directed by Richard Pearce as part of the "Martin Scorsese Presents The Blues" series. I absolutely recommend that you get hold of a copy!

Fax on the Rockin' Trax

Vee-Jay released 4 Rosco Gordon singles as follows:

VJ 316 - No More Doggin' / A Fool In Love - May 1959

VJ 332 - Just A Little Bit / Goin' Home - November 1959. This single reached number 2 in the R&B chart in February 1960 and reached number 64 in the Hot 100.

VJ 348 - Surely I Love You / What You Do To Me - June 1960

VJ 385 - Let 'Em Try / What I Wouldn't Do - May 1961

All tracks on this LP were recorded in Chicago as follows -

No More Doggin', Goin' Home (Tomorrow), A Fool In Love - recorded on April 21st, 1959. Personnel: Rosco Gordon (vocal) with: Earl Washington (piano); Lefty Bates and Classie Ballou (guitars); Quinn Wilson (bass); Al Duncan (drums).

Just A Little Bit, What You Do To Me - recorded on September 16th, 1959. Personnel as above but add Cliff Davis (tenor sax) and McKinley Easton (batione sax), also Classie Ballou (guitar) not present.

Dapper Dan, I'm Locked Up - recorded on March 16th, 1960. Personnel as on April 21st, 1959 session.

Surely I Love You - recorded on April 13th, 1960. Personnel as on March 16th session but add vocal group - The Spaniels.

Two sessions were held on unknown dates in 1961. Rosco was accompanied by an unknown lineup which included trumpet, tenor and baritone saxes, 2 guitars, bass, piano, drums and on the first session a vocal group. It's possible that the musicians included Red Holloway (tenor sax), James Moore (guitar) and Chico Chism (drums).

1st session - What I Wouldn't Do, Every Night In The Week, Let 'Em Try.

2nd session - Sit Right Here, My Chick, Jelly, Jelly, Jelly, New Orleans, La.

Above: crossover action for Rosco Gordon and Dee Clark - Billboard ad in March 1960.

Sunday, 9 December 2018

Lightnin' Slim - Rooster Blues





















Side 1:
01. Rooster Blues
02. Long Leanie Mama
03. My Starter Won't Work
04. GI Slim
05. Lightnin's Troubles
06. Bed Bug Blues
 
Side 2:
01. Hoo-Doo Blues
02. It's Mighty Crazy
03. Sweet Little Woman
04. Tom Cat Blues
05. Feelin' Awful Blues
06. I'm Leavin' You Baby






A big thank you to Marv for sending in this reconstructed version of an Excello Lightnin' Slim LP which was originally released in April 1960. The collection consists of 6 singles which were released on the Nashville based Excello label in 1958 - 1960. All of these sides were recorded at Jay Miller's studio in Crowley, Louisiana, and featured Lazy Lester on harmonica. It's basic Louisiana swamp blues with echo drenched productions by the smallest of groups: Lightnin' Slim on vocals / guitar and Lazy Lester on harmonica, accompanied by various drummers / percussionists. Session details are listed below.

Lightnin' Slim's real name was Otis Hicks. He was born in Missouri in 1913, so when he recorded these sides he was already on the mature side. He first recorded in 1954 with Wild Bill Phillips on harmonica. Other harp players he worked with during the succeeding couple of years included Schoolboy Cleve and Slim Harpo. He was joined by Lazy Lester in late 1956 in a partnership which would last into the 1960s. Both Slim Harpo and Lazy Lester went on to have successful careers under their own names, with Slim Harpo in particular outshining his mentor as he eventually became the embodiment of the swamp blues sound for many blues fans.

As an aside, Lazy Lester is one of the few original US blues musicians I have seen perform in the flesh. Twice in fact, both times at the Edinburgh Blues Festival back in the 1990s when it was held in the Caledonian Brewery in Slateford Road. On both occasions Lazy Lester had sampled rather too much of the brewery's excellent products before taking to the stage, which led to rather erratic performances.

Above: from Blues and Rhythm Magazine, I think.


Fax On The Trax

The 12 tracks on this LP were originally released on single as follows:

01. Rooster Blues - Excello 45-2169 A - November 1959
02. Long Leanie Mama - Excello 45-2142 B - August 1958
03. My Starter Won't Work - Excello 45-2142 A - August 1958
04. G.I. Slim - Lightnin' Slim - Excello 45-2169 B - November 1959
05. Lightnin's Troubles - Excello 45-2160 B - July 1959
06. Bed Bug Blues - Excello 45-2173 B - March 1960
07. Hoo-Doo Blues - Excello 45-2131 A - January 1958
08. It's Mighty Crazy - Excello 45-2131 B - January 1958
09. Sweet Little Woman - Excello 45-2160 A - July 1959
10. Tom Cat Blues - Excello 45-2173 A - March 1960
11. Feelin' Awful Blue - Excello 45-2150 B - February 1959
12. I'm Leavin' You Baby - Excello 45-2150 A - February 1959

Feelin' Awful Blue; Lightnin's Troubles recorded in Crowley, Louisiana in late 1956. Personnel: Lightnin' Slim (vocal, guitar) with: Lazy Lester (harmonica); Clarence "Jockey" Etienne (drums).

Hoo Doo Blues; It's Mighty Crazy; Bed Bug Blues recorded in Crowley, Louisiana on June 10th 1957. Personnel: Lightnin' Slim (vocal, guitar) with Lazy Lester (harmonica); possibly Roosevelt Samples (drums); probably Vince Monroe (percussion).

Tom Cat Blues recorded in Crowley, Louisiana in May 1958. Personnel: Lightnin' Slim (vocal, guitar) with Lazy Lester (harmonica); possibly Roosevelt Samples (drums).

My Starter Won't Work; Long Leanie Mama recorded in Crowley, Louisiana in 1958. Personnel: Lightnin' Slim (vocal, guitar) with Lazy Lester (harmonica); unknown drums and percussion.

I'm Leavin' You Baby; Sweet Little Woman recorded in Crowley, Louisiana in January 1959. Personnel: Lightnin' Slim (vocal, guitar) with Lazy Lester (harmonica); Vince Monroe (drums).

Rooster Blues; G.I. Slim recorded in Crowley, Louisiana in September 1959. Personnel: Lightnin' Slim (vocal, guitar) with Lazy Lester (harmonica); Kenneth "Sam" Sample (drums).

CD Heaven

Ace (UK) used to release CDs of Excello material back in the 1990s. I have a couple of their Lightnin' Slim releases -

Ace CDCHD 616

Ace CDCHD 587

Both of the above are worth picking up if you should come across them in the second hand browsers. I did notice that "Nothin' But The Devil" was going for some ridiculously inflated price on Amazon. Anyone who pays that amount of money for a CD must be insane! Look around and you'll find 'em for good prices.

Inevitably public domain company Jasmine has a 2CD set of Lightnin's A and B sides out, and the "Rooster Blues" LP has been re-released on vinyl. I haven't bought any of the recent blues vinyl reissues (usually by public domain companies) so I can't comment on the quality of these discs.

Thanks again to Marv for providing these rips and for steering me towards a neglected part of my collection.

This post concludes the Be Bop Wino Blues Tour! An eclectic mix of R&B, Jazz, Swing, Rock 'n' Roll, and yes, more Blues, coming up in future posts ... stay tuned.