Be Bop Wino Pages

Joan Selects - the complete Joan Selects Collection

Big Ten Inchers - 78rpm rips by El Enmascarado


Attention Mac Users!

Mac users have been experiencing problems in unpacking the WinRAR archives used on this blog. Two solutions have been suggested.

1. Use The Unarchiver - www.theunarchiver.com - see comments on Little Esther Bad Baad Girl post for details.

2. Use Keka - http://www.kekaosx.com/en/ - see comments on Johnny Otis Presents post.

Showing posts with label Okeh Records. Show all posts
Showing posts with label Okeh Records. Show all posts

Sunday, 6 January 2019

Jimmy Rushing - I Want A Little Girl























 
Side 1:
01. My Baby's Business
02. Jimmy's Round The Clock Blues
03. Thursday Blues
04. Good Mornin' Blues
05. I've Got To Have You That's All
06. I Want A Little Girl
07. I'm So Lonely
08. Go Get Some More You Fool

Side 2:
01. Hi-Ho-Sylvester
02. The Way I Feel
03. In The Moonlight
04. She's Mine, She's Yours
05. Where Were You?
06. Somebody's Spoiling These Women
07. My Last Affair
08. Baby, Don't Tell On Me




I Want A Little Girl (Zippy)


Jimmy Rushing was the first of the great male blues shouters and a big influence on all who followed in his footsteps, from Joe Turner to Wynonie Harris, from Jimmy Witherspoon to Gatemouth Moore.

He is associated with the roaring Kansas City big blues bands, starting with Walter Page's Blue Devils in the late 1920's and then of course with Bennie Moten and Count Basie. None of the sides on this compilation are with the Basie band (officially), although the first six tracks were recorded while Jimmy was still a member of the Basie outfit. "My Baby's Business" and Jimmy's Round The Clock Blues" were recorded at a Johnny Otis session in LA in 1945 for Excelsior. A year later Jimmy again recorded for Excelsior (tracks 3-6) with the backing band, which consisted mostly of Count Basie band members, going under Jimmy Mundy's name.

The Count Basie band broke up in 1950 and Jimmy kept going with a small group which often featured Dickie Wells, Buddy Tate and Walter Page. He recorded a couple of singles for Gotham in 1950 (not included) and then in 1951 - 1952 four singles for King Records. All of the King sides are on this comp. The remaining two sides here were released as a single on Okeh in 1957 by which time Jimmy was well established in the jazz LP market with releases on Vanguard and Columbia. A single recorded for Parrot in Chicago (Mr 5 x 5) in 1953 with the Frank Culley band is not included.

Full recording details are on the back cover along with an excellent essay by Alun Morgan. I hope you enjoy these sides aimed at the Race Records / R&B market rather than the jazz audience which sustained Jimmy's career through the second half of the 1950's, the 1960's and the early 1970's.

A belated Happy New Year to all followers of Be Bop Wino. We'll be rockin' through 2019!

Saturday, 2 June 2018

Paul Gayten & Annie Laurie - Creole Gal


Side 1:
01. Your Hands Ain't Clean - Paul Gayten
02. True - Paul Gayten
03. Peter Blue And Jasper Too - Paul Gayten
04. I Still Love You - Paul Gayten
05. One Sweet Letter From You - Annie Laurie
06. Hey, Little Girl - Paul Gayten
07. Annie's Blues - Annie Laurie
08. Gayten's Nightmare - Paul Gayten

Side 2:
01. Creole Gal - Paul Gayten
02. My Rough And Ready Man - Annie Laurie
03. You Ought To Know - Paul Gayten
04. Cuttin' Out - Annie Laurie
05. I Ain't Gonna Let You In - Annie Laurie & Paul Gayten
06. Broadway's On Fire - Broadway Bill
07. Goodnight Irene - Paul Gayten
08. Cow Cow Blues - Paul Gayten
09. Nervous Boogie - Paul Gayten






Time for a revival of this fab Route 66 comp of Paul Gayten and Annie Laurie sides recorded mainly for the DeLuxe and Regal labels from 1947 to 1950. It's no exaggeration to say that New Orleans R&B starts here for Paul Gayten's "True" was the first Crescent City R&B recording to hit the national charts back in 1947. Nowadays we tend to think that the wildly successful New Orleans brand of R&B was launched by Fats Domino or maybe by Professor Longhair or even by Roy Brown. Nope, Paul Gayten was there first.

Early Days

Pianist, singer, bandleader, songwriter, producer and arranger Paul Gayten was born on January 29th 1920. Most sources give his place of birth as Kentwood, Louisiana, but in John Broven's sleevenotes to this LP which are based on a 1975 interview, Paul was clear that he was actually born in New Orleans. His extended family were natives of Kentwood and he lived there for part or perhaps all of his childhood. They were a musical family - his uncles, aunts, and his mother all played piano and Paul played from the age of twelve. His mother's brother was the blues pianist Little Brother Montgomery and their father, Harper Montgomery, played violin and ran juke joints.

According to a Blues Heaven online article, Harper Montgomery along with other family members relocated from Kentwood to Norfield, Mississippi, during the 1920's. Among the family members who made the move were Paul Gayten's parents, so we may assume that young Paul was along too. Harper, who had been running a juke joint in Kentwood, made the move to Norfield in order to work in the lumber industry. When the Norfield sawmill closed down, members of the Montgomery family relocated to Canton, Mississippi.

Sometime afterwards, members of the family moved to Jackson, Mississippi. Little Brother Montgomery had a small swing style band based there from around 1932 to 1939. Known as The Southland Troubadours and also The Collegiate Ramblers, they toured extensively in the Mid West and the South. The band broadcast regularly on local radio stations but were never recorded. In the mid 1930's  Little Brother Montgomery recorded sides for Vocalion, Decca and Bluebird either as a solo or with minimal accompaniment, usually a guitarist and extra vocalist.

According to John Broven's sleeve notes, Paul Gayten moved to Jackson in 1934 where he stayed with a "godfather" who owned a nightclub there. Perhaps this was Harper Montgomery. Paul started gigging in the club then had a spell with the Doc Parmley band for a year in 1935. Doc Parmley was the trumpet player in Little Brother Montgomery's band which he finally took over in 1939, so perhaps Paul's spell with the band was as a temporary replacement for his uncle who may have been busy with his recording activities. Paul also played with another Jackson based band, that of Don Dunbar and also toured with the Royal American Shows and then Silas Green.

Founded in 1923, The Royal American Shows (The World's Largest Midway) was a travelling carnival which toured the U.S.A. and Canada for most of the 20th Century, lasting until 1997. Silas Green From New Orleans was another long lived travelling attraction, being an African American owned tent show which toured the Southern States from 1904 to 1957 (although there are reports of them still operating as late as 1962).

Above: the Silas Green band assembles outside the tent in 1937

After leaving the Silas Green show in 1938, Paul returned to Jackson where he put together a band of his own (Paul Gayten's Sizzling Six) which included local sax man and future be bop star Teddy Edwards. In 1940 Paul was drafted into the forces, spending the war at Biloxi Army Airforce base where he led the base band. After the war, having met and married a New Orleans girl, he relocated to the Crescent City.

New Orleans, DeLuxe and Regal

On arrival in New Orleans Paul Gayten organised a trio which had Edgar Blanchard on guitar, George Pryor on bass and Robert Green on drums. A residency was secured at the Club Robin Hood and when Jules and David Braun, the owners of DeLuxe Records of Linden, New Jersey, came looking for New Orleans acts in early 1947, the Paul Gayten band was quickly signed up and the first recording session took place in January. The first Gayten record, "True" was a hit and around this time a female vocalist, Annie Laurie was added to the band. Her DeLuxe recording with the Gayten band of "Since I Fell For You" was an even bigger hit than "True."


Billboard, October 25th, 1947

The Gayten band had further success with "Hey Little Girl" in early 1948. As well as being on their own issues, and on those of Annie Laurie, the group also appeared on sides by Chubby Newsom and Eddie Gorman. In 1947-48 DeLuxe had a virtual monopoly on New Orleans talent, putting out discs by Smiley Lewis, Dave Bartholomew, and biggest of them all, Roy Brown. A double blow weakened the company in late 1947 and early 1948 when a fire in their pressing plant destroyed a large number of masters in November 1947, and the AFM recording ban followed at the beginning of 1948.

The company was rescued from financial ruin by the purchase of 51% of its shares by Syd Nathan of King Records. The relationship between Nathan and DeLuxe proved to be stormy and it ended with a complete takeover by King in mid 1949. Roy Brown transferred to King while the Braun brothers along with new partner Fred Mendelsohn set up a new label in New Jersey, Regal Records. The Gayten band along with Annie Laurie and new male vocalist Larry Darnell signed for the new label.

Back at the beginning of 1949 the Gayten band had expanded from a trio to a more substantial outfit which included trumpeter Wallace Davenport and tenor sax player Lee Allen. The move to Regal brought more chart success with Annie Laurie hitting with "Cuttin' Out" in late 1949 and two Gayten / Laurie duets selling well in 1950 - "I'll Never Be Free" and "I Ain't Gonna Let You In." However the biggest successes for the Gayten outfit were fronted by Larry Darnell - "For You My Love" (written by Gayten) and "I'll Get Along Somehow."

The Cash Box December 17th 1949

In 1991 the Regal recordings of Paul Gayten and Annie Laurie (but not Larry Darnell) were compiled by Billy Vera on a CD originally released on Specialty in the U.S and Ace in the U.K., "Regal Records In New Orleans." Sadly this collection is now out of print.


In mid-1951 Regal Records fell victim to financial problems. Paul Gayten, Annie Laurie and Larry Darnell's contracts were taken up by the newly reactivated OKeh label which had been set up as the R&B subsidiary of Columbia Records.

OKeh And Chess

Paul Gayten's first session for OKeh was on October 31st 1951, with Annie Laurie and Larry Darnell having their first OKeh sessions in November 1951. Neither of the two vocalists ever recorded with Paul for OKeh, as they were backed by bands under the direction of Howard Biggs and Leroy Kirkland. The sleeve notes on this LP record Paul's dissatisfaction at OKeh but there were a couple of good sellers in "They All Ask For You (Down At The Zoo)" in the autumn of 1952, and "Cow Cow Blues" (especially in Los Angeles and New Orleans) in the autumn of 1953.

Paul's last OKeh session was in November 1953. In 1954 he joined Chess Records as a producer, songwriter and talent scout. He also recorded for the label intermittently between 1954 and 1959, with his records being released on Chess subsidiaries Checker, Argo and Anna. Some of these mainly instrumental records did have limited success - "The Hunch," "Nervous Boogie" and "Windy" with the last named just about scraping into The Hot Hundred. South African and U.K. fans may recognize the tune of "Windy" as "Tom Hark" which was a big hit for SA group Elias And His Zigzag Jive Flutes. This original version reached number two in the UK charts in April 1958 and a rowdy vocal version by The Piranhas charted in the UK in 1980.

Among the records Paul produced at Chess were "Later Alligator" by Bobby Charles, "But I Do" (which he co-wrote with Eddie Bo) and "Ain't Got No Home," by Clarence "Frogman" Henry, and "Flat Foot Sam" by T.V. Slim. When Chess opened an office in Los Angeles, Paul was put in charge and he moved to LA where he spent the rest of his life. He worked for Chess until 1969, then started his own label, Pzzaz. Unfortunately the label only lasted a few years and when it went under, Paul retired from the music business. He died in LA on the 26th March 1991 from heart failure.

In 1989 Billy Vera compiled a collection of Paul Gayten's Chess sides, entitled "Paul Gayten: Chess King Of New Orleans." It appeared firstly as a 10 track LP and then as a 12 track CD. Both versions are long out of print.



Fax On The Trax

"True" and "Your Hands Ain't Clean" recorded in New Orleans in January 1947. Personnel: Paul Gayten (vocal, piano); Edgar Blanchard (guitar); Warren Stanley (bass); Robert Green (drums).

"True" / "Your Hands Ain't Clean" released on DeLuxe 1063 in March 1947. Reviewed in Billboard, July 1947. Number 5 in the Billboard Juke Box Race Records chart, October 18th, 1947.


"I Still Love You" - recorded in New Orleans in August / September 1947. Personnel: Annie Laurie (vocal); acc by Paul Gayten and his Trio: Paul Gayten (piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"Ghost Of A Chance" / "I Still Love You" released on DeLuxe 1106 in October 1947. A Side credited to Annie Laurie with Paul Gayten & His Trio. B Side credited to Paul Gayten & His Trio with Annie Laurie.

"Peter Blue & Jasper Too" recorded in New Orleans in September 1947. Personnel: Paul Gayten (vocal, piano) with Jack Scott (guitar); George Pryor (bass); Robert Green (drums).

"Peter Blue & Jasper Too" / "In The Evening When The Sun Goes Down" by Paul Gayten & His Trio released on DeLuxe 1118 in March 1948.

Cash Box March 20th 1948

"One Sweet Letter From You" recorded in New Orleans in November 1947. Personnel: Annie Laurie (vocal); with Paul Gayten (piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"I Love You Yes I Do" / "One Sweet Letter From You" by Annie Laurie and the Paul Gayten Trio released on DeLuxe 1131 in January 1948.


label shots adapted from audiopreservationfund.org

"Hey Little Girl" recorded in New Orleans in November 1947. Personnel: Paul Gayten (vocal, piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"I Love You, Yes I Do" / "Hey, Little Girl" by Paul Gayten And His Trio released on DeLuxe 1138 in January 1948.

Confusion reigns here. There was a release on DeLuxe 1170 in March / April 1948 with "Hey, Little Girl" on the A Side and "One Sweet Letter From You" (Annie Laurie) on the B Side. We shall move swiftly on to 1949.

"Annie's Blues" was recorded in New York (?) in January 1949. Personnel: Annie Laurie (vocal); with Paul Gayten and Band: Wallace Davenport (trumpet); unknown trombone, alto sax; Lee Allen (tenor sax); Paul Gayten (piano); Peter "Chuck" Badie (bass); Robert Green (drums).

"Waiting For You" / "Annie's Blues" released in January / February 1949 on DeLuxe 1211, then Deluxe 3211. "Annie's Blues" was number 6 in the "Hot In New Orleans" chart in The Cash Box, February 26th, 1949.
Billboard 5th March, 1949

"Gayten's Nightmare" and "Creole Gal" recorded in New Orleans, February 1949. Personnel: Paul Gayten (vocal, piano); with Wallace Davenport (trumpet); unknown trombone, alto sax; Lee Allen (tenor sax); Peter "Chuck" Badie (bass); Robert Green (drums).

"Hard To Go Through Life Alone" / "Gayten's Nightmare" issued on DeLuxe 1210 and 3210, probably February / March 1949. "Gayten's Nightmare" number 9 in Hot In Other Cities" Atlanta chart, 23rd April 1949.

"Can't Help Lovin' That Gal" / "Creole Gal" issued on DeLuxe 1215, 3215 in first half of 1949.

The above was the last Paul Gayten session for DeLuxe which was bought over by King Records. A successor company to DeLuxe called Regal was set up and Paul Gayten and Annie Laurie started recording for the new label in August / September 1949.

"My Rough And Ready Man" and "Cuttin' Out" were recorded in New Orleans in early September 1949. Personnel: Annie Laurie (vocal) with Wallace Davenport (trumpet); Frank Campbell (alto sax); Buddy Tate (tenor sax); Cecil Payne (baritone sax); Paul Gayten (piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"Cuttin' Out" / "My Rough And Ready Man" released on Regal 3235 in October 1949. Annie Laurie with the Paul Gayten Orchestra.

"You Ought To Know" was recorded in New Orleans in early September 1949. Personnel: Paul Gayten (vocal,p) withTaft Jordan (trumpet); Eddie Barefield (alto sax); Buddy Tate (tenor sax); Cecil Payne (baritone sax); unknown guitar and bass; Denzil Best (drums).

"I'll Never Be Free" / "You Ought To Know" released on Regal 3258 in March 1950. Side A by Annie Laurie, Paul Gayten and His Orchestra. Side B by Paul Gayten and His Orchestra.

"Broadway's On Fire" was recorded in New Orleans in February 1950. Personnel: "Broadway Bill" Cook (vocal) with Paul Gayten (piano); unknown tenor sax, guitar, bass; Sam Woodyard (drums).

"Broadway's On Fire" by Broadway Bill with Paul Gayten and orchestra / "Bellboy Boogie" by Paul Gayten and orchestra released on Regal 3255 in March (?) 1950.

adapted from rootsvinylguide.com

"I Ain't Gonna Let You In" was recorded in New Orleans in February 1950. Personnel: Annie Laurie (vocal) with Paul Gayten (vocal, piano); John Hunt (trumpet); "Chippy" Outcalt (trombone); Eddie Barefield (alto sax); Ray Abrams (tenor sax); Aaron Bell (bass); Sam Woodyard (drums); Howard Biggs (arranger).

"I Ain't Gonna Let You In" / "I Need Your Love" released on Regal 3273, May / June (?) 1950. "I Ain't Gonna Let You In" credited to Annie Laurie - Paul Gayten with the Paul Gayten Orchestra.

Cash Box, 22nd July 1950

"Goodnight Irene" recorded in New York in early August 1950. Personnel: Paul Gayten and his Orchestra: Wallace Davenport (trumpet); Eddie Barefield (alto sax); Hank Mobley (tenor sax); Frank Campbell (baritone sax) Paul Gayten (vocal, piano); Larry Goines (bass); unknown (drums); The Coleman Brothers (vocal group).

"Goodnight Irene" / "Ooh La La" released on Regal 3281 in August / September 1950.


"Cow Cow Blues" recorded in New Orleans on May 4th, 1953. Personnel: Paul Gayten (piano) with unknown (bass, drums).

"Cow Cow Blues" / "Ooh-Boo" by Paul Gayten and his Orchestra released on Okeh 6982 in June 1953.

adapted from Discogs.com

"Nervous Boogie" recorded in New Orleans in March 1957. Personnel: Paul Gayten (piano) with Lee Allen (tenor sax); Alvin "Red" Tyler {baritone sax); Edgar Blanchard (guitar); Roland Cook or Frank Field (bass); Charles "Hungry" Williams (drums).

"Nervous Boogie" by Paul Gayten and his Band / "Flatfoot Sam" by Oscar Wills with Paul Gayten Orch. released on Argo 5277 in August 1957.

Sources:

Billy Vera became friends with Paul Gayten in 1979. He wrote the liner notes for the two CDs he compiled - "Regal Records In New Orleans" and "Chess King Of New Orleans." He also wrote an article "Remembering Paul Gayten" for Blues And Rhythm Magazine (number 202 - September 2005).

John Broven wrote the notes for this LP "Creole Gal" and also covered Paul Gayten in his book "Rhythm & Blues In New Orleans."

Other sources - Bruyninckx discography, "Big Band Jazz" by Albert McCarthy, Big Al Pavlow's The R&B Book, Discogs.com, 45Cat.com, Billboard, The Cash Box, bluesheaven.com.

Recommended purchase -


Probably the only CD which is still available is the El Toro compilation "Ain't Nothin' Happenin' - Cool Jump Blues 1947 - 1957." 30 tracks spanning Paul Gayten's career including sides by Annie Laurie and Larry Darnell. Doesn't quite include every biggie, but it's your best bet for digging up some cool Gayten.

Sunday, 31 December 2017

Chuck Willis - Be Good Or Be Gone













































Side One:
01. Keep A Knockin' *
02. Be Good Or Be Gone * (?)
03. I Tried
04. It's Too Late Baby
05. Let's Jump Tonight
06. Change My Mind
07. Loud Mouth Lucy
08. Wrong Lake To Catch A Fish

Side Two:
01. Lawdy Miss Mary
02. Baby's On My Mind *
03. You Know You Don't Love Me *
04. Search My Heart
05. I Can Tell
06. I Need One More Chance
07. I Don't Mind If I Do *
08. Break My Rule *

* = previously unreleased







Last post of 2017 and it's a revival of a collection of Chuck Willis OKeh sides which was originally posted in October 2008.

As is usual with these "revival" posts I've added new cover and label scans, plus I've also boosted the volume slightly. Included in the download is a selection of original 45 label scans sent in by Joan K.

I was never  a big fan of Chuck Willis and as I stated back in the original post this LP remained unplayed and lost on my shelves for many years, and I must confess that since that post I've scarcely listened to the tracks again. However, I've been listening to it repeatedly over the last week or so in the build up to this post, and once more I've realized that this really is a cracking collection of prime R&B.

The sleevenotes by Clive Anderson are excellent, giving insight into the background behind these tracks recorded for OKeh between 1951 and 1956. They are also highly evocative of the music milieu of Atlanta, Chuck's home town, and the place where he started out on his music career. It was thanks to local DJ Zenas "Daddy" Sears that he was spotted and steered towards Columbia records man Danny Kessler.

Chuck Willis was not only a talented singer, he was also a gifted songwriter and most of his records both for OKeh and later Atlantic were self penned. His first session for Columbia took place in January 1951 with his first release (" It Ain't Right To Treat Me Wrong" / "Can't You See") coming out in May 1951 on Columbia 30238. In the meantime Columbia had decided to revive the old OKeh label as its outlet for R&B recordings under the management of Kessler and Chuck's releases were thereafter issued on the subsidiary label.

OKeh started issuing records in July 1951 but the first scheduled record by Chuck ("Let's Jump Tonight" / "Be Good Or Be Gone") which was due to be the sixth issue on the label, seems to have been  cancelled and his first OKeh disc was "I Tried" / "I Rule My Home" which was issued in August 1951. His five year spell at OKeh was reasonably successful with five R&B chart entries being achieved: "My Story," "Going To The River" (a cover of a Fats Domino hit), "Don't Deceive Me," "You're Still My Baby" and "I Feel So Bad."

None of these hits are on this collection which nevertheless is an enjoyable listening experience. But thanks to Joan K let's take a brief look at some smash hit R&B labels:





When Chuck Willis signed up with Atlantic in early 1956, his career moved up a gear, for his records not only featured on the R&B charts, they also started to appear in the pop charts. His version of the old blues "C. C. Rider" reached number 12 in the Billboard pop chart in May 1957 and "Betty And Dupree" reached number thirty three in April 1958. Both of these songs were suited to a new dance craze called The Stroll and Chuck became known as The King Of The Stroll. His biggest pop hit came in May of 1958 - "What Am I Living For" and "Hang Up My Rock And Roll Shoes," a pairing which proved to be ominously titled for by the time they were entering the charts Chuck was deceased, having died in hospital on April 10th during an operation on stomach ulcers.

Recording and Release Details

"Be Good Or Be Gone" and "Let's Jump Tonight" were recorded on January 26th 1951. Both sides were scheduled to be released on OKeh 6805, i.e. the sixth release on the label. Apparently this record remained unreleased. "Let's Jump Tonight" b/w "It's Too Late Baby" was  released as OKeh 6841 in December 1951.

"I Tried," "It's Too Late Baby" and "Baby's On My Mind" were recorded on 27th June 1951. "I Tried" b/w "I Rule My House" was released on OKeh 6810 in August 1951. "It's Too Late Baby" was B side of "Let's Jump Tonight" OKeh 6841, December 1951. "Baby's On My Mind" was not released on single.

"Loud Mouth Lucy" was recorded on February 27th 1952. Released on OKeh 6873 (b/w "Here I Come") in May 1952.

"Wrong Lake To Catch a Fish" was recorded on 26th June 1952. Released on OKeh 6930 as B-side of "Salty Tears" in December 1952.

"You Don't Love Me (You Broke My Heart)" was recorded on 19th November 1952. Unreleased.

"Keep A Knockin'" and "Need One More Chance" were recorded on February 5th 1954. "Need One More Chance" was released on OKeh 7029 (B-Side of "I Feel So Bad") in May 1954. "Keep a Knockin'" was not released.

"Change My Mind" and "I Don't Mind If I Do" were recorded on June 24th 1954. "Change My Mind" b/w "My Heart's Been Broke Again" was released on OKeh 7041 in August 1954. "I Don't Mind If I Do" was not released.



"Lawdy Miss Mary" was recorded on December 17th 1954. Released on OKeh 7051 (b/w "Love-Struck") in February 1955.



"Search My Heart" and "I Can Tell" were recorded on April 15th 1955. "I Can Tell" was released on OKeh 7055 (b/w "One More Break") in May 1955. "Search My Heart" was released on OKeh 7062 (b/w "Ring-Ding-Doo") in October 1955.



"Break My Rule" was recorded on January 26th 1956 but not released as a single.

Elsewhere on the blog:

Following the original posting of "Be Good Or Be Gone" in October 2008, an anonymous donor contributed an Atlantic LP "I Remember Chuck Willis" (Atlantic 8079).



Side One:
01. What Am I Living For
02. Hang Up My Rock & Roll Shoes
03. Stop And Think
04. From The Bottom Of My Heart
05. Just One Kiss
06. You'll Be My Love
07. Keep A Drivin'

Side Two:
01. C. C. Rider
02. Betty & Dupree
03. I'll Be So Glad When Your Heart Is Mine
04. Big Drops Of Rain
05. Sugar Sugar
06. Love Of Loves
07. My Baby






Recommended purchase:

There are a number of Chuck Willis compilations available and they are easy to find on well known sellers' websites. A few years ago I bought the JSP 3CD set "The Complete Chuck Willis 1951 - 1957." I hardly listened to it until I started preparing this blog post and I must say that I found it tons o' fun.

There is no doubt that Chuck Willis was a major talent. He was probably at his best performing what I like to call "Big Beat Ballads" - which mixed pop and blues influences. Some of his OKeh sides have tremendous blues feeling, especially where guitarist Roy Gaines is given prominence. You can buy this set with confidence. By the way, the title is slightly misleading as the set includes his 1958 Atlantic sides. I think every OKeh and every Atlantic side is included.



Thanks to Joan K for label scans and the Epic cover above. Happy New Year Everyone!

Sunday, 15 January 2017

The Treniers - Rockin' Is Our Bizness



































































Side 1:
01. Rockin' Is Our Bizness
02. Rock-A-Beatin' Boogie
03. Get Out Of The Car
04. Hi-Yo Silver
05. It Rocks, It Rolls, It Swings
06. Plenty Of Money
07. Hadacol, That's All
08. Rockin' On Sunday Night

Side 2:
01. Go Go Go
02. Trapped In A Web Of Love
03. Long Distance Blues
04. Hey Little Girl
05. Bald Head
06. Poon Tang
07. The Moondog
08. Taxi Blues

Download from here:

http://www94.zippyshare.com/v/e4CJ545q/file.html

The third and final instalment of our look at The Treniers. This 1983 Edsel LP gathers 16 sides recorded for Okeh (and Epic in the case of "Go! Go! Go!") between 1951 and 1955. The version of "Go! Go! Go!" on this LP is not the track The Treniers recorded in 1951 for their first release on Okeh, but is a version they recorded in 1955 for their Epic LP "Go! Go! Go! The Treniers On TV." For the re-recording The Treniers, who were normally backed by a small band led by Gene Gilbeaux on piano and featuring Don Hill on alto sax, were accompanied by a larger band led by Quincy Jones.

My one quibble about the tracks on this LP is that I wish the Gene Gilbeaux band had featured a tenor sax player to help fill out the sound, as Don Hill has so much to do in the way of providing sax accompaniment. That said, these Okeh sides are still good examples of early rock 'n' roll, especially the recordings released in 1952 which include the wild double whammy of "Hi-Yo Silver" / "Poontang", not to mention "It Rocks, It Rolls, It Swings" and "Rockin' On Sunday Night." They closed out 1952 with a tribute to rock 'n' roll DJ Alan Freed, "The Moondog" (backed by "Poontang" which was making a second appearance on the B-Side of a Treniers disc).

Other great tracks on this LP include "Plenty Of Money" which is very similar to Jimmy Witherspoon's "Ain't Nobody's Business", and a couple of R&B covers - "Bald Head" by Roy Byrd and "Hey Little Girl" by The Larks. And let us also note the Bill Haley-penned  "Rock-A-Beatin' Boogie."

On many of these tracks "The Treniers" included not only twins Claude and Cliff, but also brothers Buddy and Milt. In 1953-54 Milt Trenier recorded some good rockin' tracks for RCA and its subsidiary Groove, including "You're Killing Me," "Squeeze Me," "Flip Our Wigs," and "Day Old Bread."

A particular point of note is the January / February 1955 release of "Get Out Of The Car" which was originally released under the title "Oh! Oh!" as you can see on this scan from Joan K:























It was reviewed under this title in the February 12th 1955 issue of Billboard, but there are scans on the web showing a single release of this track with the title "Get Out Of The Car." This was the title used when the track was included on the 1955 LP "The Treniers On TV" and on an accompanying EP. It may be that a decision to change the title was taken when in late February 1955 Flair issued a cover version by Richard Berry titled "Oh! Oh! Get Out Of The Car." Although the Flair issue gives composer credit to Berry, it is definitely a Claude and Cliff Trenier composition. In the liner notes to the Ace CD "Get Out Of The Car" Berry said that the record company gave him the composer credit without his prior knowledge.

The LP has excellent liner notes by Bill Millar (all hail!) and the tracklist includes record number, month and year of original release, thus relieving me from my usual trawl through the internet and books. There is one slip, though - "The Moondog" was not released in January 1952, but rather December 1952 - January 1953.

The Treniers final recording session for Columbia / Okeh / Epic took place in December 1955 and was followed by an April 1956 session for RCA subsidiary Vik. As was mentioned in the previous post, Trenier records weren't big sellers. Their strength lay in their dynamic stage act which rocked the halls, clubs and lounges of resorts such as Wildwood and Atlantic City and of course that resort  non plus ultra, Las Vegas, where for decades the Treniers entertained desperate gamblers. As we shall see in an upcoming post they were the real progenitors of that type of rock 'n' roll which has been largely forgotten and which barely has a name, though the cognoscenti sometimes refer to it as "room rock 'n' roll" or "lounge rock 'n' roll." We could maybe call it "Dinner Jacket and Bow Tie Rock and Roll."

Whatever it was, The Treniers kept doing it decade after decade. Milt left the act in 1959 to open a lounge in Chicago where he continued to perform and where his brothers made periodic appearances. Nephew Skip Trenier joined the band and the boys kept on rockin'. They still kept on after Cliff died of cancer in 1983. Buddy retired, but Claude rocked ever onwards until November 2003 when he played his last Vegas gig a few weeks before he passed away.

Recommended reading - "Their God Wore Shades" in "Unsung Heroes Of Rock 'n' Roll" by Nick Tosches.

The Treniers on CD:


From 1985 -  a rare CD release on Jonas Bernholm's Dr Horse label. Includes Milt Trenier sides as well as Mercury, Okeh and Vik material by The Treniers.


From 2004 - nice digipack presentation with notes by Adam Komorowski. Mercury and Okeh material plus a couple from Milt Trenier and His Solid Six (Shorty Rogers band).


From 2010 - part of Bear Family Records' "Rock" series. 32 tracks and a 64 page booklet.

Thursday, 12 January 2017

The Treniers - Go! Go! Go! (Epic EP EG-7014)




































































Side 1:
01. Go! Go! Go!
02. Rocking On Sunday Night

Side 2:
01. Rockin' Is Our Bizness
02. This Is It

Download from here:

http://www105.zippyshare.com/v/1Mf1YYD1/file.html

We rejoin the story of The Treniers with their recordings for Columbia R&B subsidiary Okeh for whom they started recording in May, 1951. The 7" EP (Extended Play) format appeared in 1951 when the boffins at RCA Victor found a way to extend the running time of a 45 rpm disc beyond five minutes and soon all the major companies started issuing 4 track "extended play" 7 inch 45 RPM records which, with their thick cardboard sleeves, resembled "mini-LPs."

This Epic (another Columbia subsidiary) EP was reviewed in the 2nd January, 1954 issue of Billboard, so its date of release is either January 1954 or perhaps even December 1953. Either way, it is probably the first "rock and roll" EP.

The tracks were originally released on Okeh singles as follows:

"Go! Go! Go!" was recorded at the first Okeh Treniers session on May 21st, 1951 and released on Okeh single 6804 in June 1951. The B-Side was a brilliant blues sung by Claude Trenier, "Plenty Of Money."

"Rocking On Sunday Night" and "This Is It" were both recorded on January 9th, 1952. "Rocking On Sunday Night" was released on Okeh 6904 (b/w "Cheatin' On Me") in September 1952. "This Is It" was released on Okeh 6984 (B-Side of "I'd Do Nothin' But Grieve") in July 1953.

"Rockin' Is Our Bizness" was recorded on October 22nd, 1952. It was released on Okeh 6960 (b/w "Sugar Doo") in April 1953. This track continues The Treniers connection to the Jimmie Lunceford band as it is an adaptation of Lunceford's 1935 hit "Rhythm Is Our Business."

Probable personnel on these sides is - Claude Trenier and Cliff Trenier (vocals) with Gene Gilbeaux (piano and direction); Don Hill (alto sax); Charles Drayton (bass); Henry "Tucker" Green (drums). It is likely that Buddy Trenier and Milt Trenier are also on vocals on some or all of the tracks.

Of all the Treniers Okeh singles, only "Go! Go! Go!" had a brush with the R&B charts. The reason is probably that it was impossible to capture the intensity of the Treniers live act on sound recordings. The sides on this EP feature lots of whoopin' and hollerin' which would be the point where The Treniers would launch into some athletic stage moves or other "business."

Fortunately there is film and television footage of the brothers' live act which you can easily find on YouTube. Perhaps the most intriguing clip is from "The Colgate Comedy Hour," a TV show hosted by Dean Martin and Jerry Lewis. This clip dates from May 1954 and may well be the first performance of rock and roll on national television.


"Stick around, folks! We'll be back in the next post!"

Thanks to Joan K for the front cover scan and label shots. The back cover shot is from www.45cat.com via a Google image search. This post is a "reconstruction" of the original EP with the audio taken from various sources.