Jesse Price - Jump It With A Shuffle

Side A:

01. Jump It With A Shuffle

02. You Satisfy

03. Froggy Bottom

04. Kansas City Mama

05. You Can't Take It With You

06. I Ain't Mad At You

07. The Whirligig

08. Just Another Day Wasted Away

Side B:

01. Frettin' For Some Pettin'

02. Nagasaki

03. I'm The Drummer Man

04. That's The Way She Feels

05. Big Town Blues

06. My Baby Done Left Me

07. Tippin' Out (Creepin' And Peepin')

08. Blue Book Boogie

09. Baby, Let's Be Friends

Download from:

http://www6.zippyshare.com/v/rgT4y3ka/file.html

Session dates and personnel are listed on the LP cover. The Capitol sides were recorded in Los Angeles between July 1946 and November 1947. The Miltone side was recorded in 1948.

Additional discographical information:

01. Jump It With A Shuffle - Capitol 40047

02. You Satisfy - Capitol 295

03. Froggy Bottom - Capitol 40093

04. Kansas City Mama - Capitol 295

05. You Can't Take It With You - Capitol 391

06. I Ain't Mad At You - Capitol 348

07. The Whirligig - Capitol 15370

08. Just Another Day Wasted Away - Capitol 15370

09. Frettin' For Some Pettin' - Capitol 40093

10. Nagasaki - Capitol 40047

11. I'm The Drummer Man - Capitol 348

12. That's The Way She Feels - Capitol 40014

13. Big Town Blues - Capitol 391

14. My Baby Done Left Me - Capitol 15138

15. Tippin' Out (Creepin' And Peepin') - Miltone 5250

16. Blue Book Boogie - Capitol 40014

17. Baby, Let's Be Friends - Capitol 15138

Release dates:

Capitol 295: Kansas City Mama / You Satisfy - September 1946

Capitol 348: I Ain't Mad At You / I'm The Drummer Man - January 1947

Capitol 391: You Can't Take It With You / Big Town Blues - April 1947

Capitol 40014: That's The Way She Feels / Blue Book Boogie - July 1947

Capitol 40047: Jump It With A Shuffle / Nagasaki - October 1947

Capitol 40093: Frettin' For Some Pettin' / Froggy Bottom - March 1948

Capitol 15138: Baby Let's Be Friends / My Baby Done Left Me - July 1948

Capitol 15370: The Whirligig / Just Another Day Wasted Away - February 1949

Miltone 5250: Creepin' And Peepin' / (Just Before Sunrise by Buddy Floyd) - June 1949

Miltone 5250 was in the Billboard Advance Race Record Releases on June 18th 1949. The Jesse Price title was listed as "Tippin' In." Label shots of the actual release show the title as "Creepin' & Peepin'." The B Side, "Just Before Sunrise", was by Buddy Floyd.

See (and hear) this post for more on the Jesse Price / Buddy Floyd Miltone single:

http://bebopwinorip.blogspot.co.uk/2016/03/peepin-creepin-just-before-sunrise.html

We continue our West Coast jump theme with this 1987 Jukebox Lil LP featuring sides by singer / drummer Jesse Price. Or for "West Coast" in this case, read from Memphis to Kansas City and then on to California, thus picking up all the jazz and blues influences that such a musical journey brings. The sleevenotes by Dave Penny tell the fascinating story of Jesse Price's life, beginning in Memphis in 1909 and taking in spells playing with W.C. Handy, working on riverboat bands, backing Ma Rainey, Bessie Smith and Ida Cox and all that before Kansas City has been reached!

And as for K.C. well, just read the notes! Walter Page, Basie, Jay McShann, Harlan Leonard, oh, and the little matter of a small band featuring a 17 year old Charlie Parker. Then there's a spell with the late Chick Webb's band under the leadership of Ella Fitzgerald which brought Jesse to Los Angeles. Followers of this blog will be in hog heaven reading about the life and times of Jesse Price.

The sides on this collection show the K.C. jazz and blues influence and the musicians in these small group lineups are top notch, including Billy Hadnott, Buddy Tate, Snooky Young, Gene Porter, Dave Cavanaugh and Paul Quinichette. The band on the final Capitol session (Baby Let's Be Friends / My Baby Done Left Me) has Dexter Gordon, Jimmy Guiffre, Red Callender and Barney Kessel, a jazz combo which sounds a bit uneasy on "My Baby Done Left Me" but which does very nicely on "Baby Let's Be Friends" thanks to ace solos by Dexter Gordon and Barney Kessel.

Joe Lutcher Re-upped!

Side 1:

01. No Name Boogie

02. Strato Cruiser

03. Be-Bop Blues

04. Mojo Jump

05. How Fine Can You Be

06. Shuffle Boogie

07. Sunday Blues

08. Joe Joe Jump

Side 2:

01. Lucy Lindy Boogie

02. Hit The Block

03. Sauterne Special

04. I Knew You When

05. Bagdad Bebop

06. Watch It Gate

07. Walk Into My Heart

08. Toodle-Oo

All sides recorded in Los Angeles for Capitol Records in 1947.

Download from:

http://www76.zippyshare.com/v/TBN3A3sX/file.html

Original post (20th February 2011) is here:

http://bebopwinorip.blogspot.co.uk/2011/02/joe-lutcher-joe-joe-jump.html

Continuing our look at lesser known California jump bands!

Joe Lutcher's Jump Band was one of the best on The Coast. They recorded for Specialty in early 1947, for Capitol in late summer and autumn of the same year and for Modern in 1949-50.  Then Joe found The Lord and gave up all that sinful jazz, blues and boogie. Read the full story in the epic original post, which includes an appearance by Little Richard. Another sinner saved?

Whatever you make of all that sinnin' and redemption, "Joe Joe Jump" is without doubt a stonkingly brilliant LP. Keep a jumpin'!

The Buddy Banks Sextet Re-upped

Side 1:

01. I Need It Bad

02. Bank's Boogie (Sterling version)

03. Voo-It! Voo-It! (v - MA)

04. Cryin' Blues (v - MA)

05. Fluffy's Debut (v - FH)

06. Bank's Boogie (Excelsior version)

07. Hi-Jinks Blues v - FH)

08. Name It And Claim It

Side 2:

09. Goin' For The Okey-Doke (v - MA)

10. Roses Of Picardy (v - MA)

11. East Side Boogie

12. "686" Blues

13. Maybe Some Rainy Day (v - BC)

14. Be Fair With Me (v - BC)

15. Happy Home Blues (v - BD)

16. The Nite Is Fading Too Soon (v - BD)

vocalists

MA = Marion Abernathy (The Blues Woman)

FH = Fluffy Hunter

BC = Bixie Crawford

BD = Baby Davis

Sides recorded for Sterling, Juke Box, Excelsior, Melodisc, Modern, King, and Specialty, Los Angeles, 1945 - 1949.

Download from:

http://www43.zippyshare.com/v/oRbGtcDn/file.html

Original post (23rd November 2008) is here:

http://bebopwinorip.blogspot.co.uk/2008/11/buddy-banks-sextet-happy-home-blues_23.html

Of late, I've been listening to sides by some of the lesser known California jump bands, i.e. anyone who isn't Roy Milton, Joe Liggins, Jimmy Liggins, Jack McVea or Johnny Otis. It's time to revive that West Coast swing and jump, starting with a re-up of Buddy Banks. These sides are notable for their strong woman vocalists. For me the standout is Fluffy Hunter who later recorded two notorious R&B tracks with Jesse Powell - "The Walkin' Blues" and "My Natch'l Man."

Fluffy Hunter and Marion Abernathy both feature in the "Rare Blues Girls From King" LP, Fluffy in a reunion with Buddy Banks, and Marion with a group which was backing Wynonie Harris in his "Good Rockin' Tonight" session.

Further West Coast Jump LPs:

King Perry: http://www15.zippyshare.com/v/95421701/file.html

Calvin Boze: Choo Choo's Bringing My Baby Home (password = greaseyspoon)

Calvin Boze: Havin' A Ball (password = greaseyspoon)

More West Coast jump to come - re-ups and maybe even some new stuff!

Hank Ballard & The Midnighters - What You Get When The Gettin Gets Good

Side One:

01. Work With Me Annie

02. Sexy Ways

03. Don't Change Your Pretty Ways

04. Rock And Roll Wedding

05. Open Up The Back Door

06. Rock, Granny, Roll

07. Tore Up Over You

08. Is Your Love For Real?

Side Two:

01. The Twist

02. Teardrops On Your Letter

03. Kansas City

04. Sugaree

05. Finger Poppin' Time

06. Let's Go, Let's Go, Let's Go

07. What Is This I See?

08. I'm Gonna Miss You

Download from:

http://www88.zippyshare.com/v/6YZ7dQs1/file.html

I wasn't going to post this one as it has already appeared on several other blogs, but after listening to a load of Midnighters' tracks while putting together the previous post on the Hank Ballard & The Midnighters King LP and then discovering that I'd already ripped this LP several years ago, I thought 'what the heckola, let's get it out there.'

So after completing the mad task of scanning a complete gatefold LP sleeve, here 'tis in all its glory - one of the best of the 1980s R&B reissue LPs. Now you can listen to many of the tracks mentioned in the previous post, although one humungous omission is "It's Love Baby (24 Hours a Day)." Seek it elsewhere and ye shall find.

There are only 2 tracks from the year of the Midnighters' breakthrough, 1954, i.e. "Work With Me Annie" which they recorded while they were still The Royals, and "Sexy Ways", the title of which must have caused consternation back in the straight laced '50s.

The rest of Side One consists of great rock and roll tracks from 1955 - 57 which failed to chart. Several reasons have been forwarded for this - The Midnighters were associated with "off colour" R&B thanks to material like "Sexy Ways" and couldn't get airplay; King / Federal boss Syd Nathan failed to promote them properly; or alternatively Syd Nathan was unwilling to come up with the required payola.

Side Two is a selection of tracks from the years when, billed as "Hank Ballard & The Midnighters" and now recording for King instead of its Federal subsidiary, the group returned to the charts big style, starting with "Teardrops On Your Letter" / "The Twist" in 1959. The latter track became an international pop and dance phenomenon, but for Chubby Checker's cover version, not for Hank Ballard's original recording. Nevertheless The Midnighters enjoyed a couple of years of hits partly on the back of "The Twist" and who could begrudge them that?

The LP notes include full recording details (including backing musicians) of all the tracks and an excellent essay by Cliff White.

Hank Ballard And The Midnighters (King LP 581)

Side 1:

01. Open Up The Back Door

02. In The Doorway Crying

03. Oh So Happy

04. Let 'Em Roll

05. E Basta Cosi

06. Stay By My Side

Side 2:

01. Daddy's Little Baby

02. Partners For Life

03. Is Your Love For Real

04. What Made You Change Your Mind

05. Let Me Hold Your Hand

06. Early One Morning

Download from:

http://www46.zippyshare.com/v/kYjZEVX7/file.html

Originally released in 1958 as "The Midnighters Volume Two", Federal 581, but with the King label on the cover (see below)

In 1963 the LP was reissued as "Hank Ballard And The Midnighters", King 581, in the cover at the top of this post. The LP posted here is a 1987 repro of the 1963 release. The tracks on this album were originally released as singles from 1956 to 1958. All of these singles were credited to "The Midnighters," as was the original 1958 release of this LP. The group's records were credited to "Hank Ballard & The Midnighters" from 1959 onwards when they were released through the King label. The first single to be credited thus was "Teardrops On Your Letter" / "The Twist" (King 5171).

Original single releases of the tracks on the "Hank Ballard And The Midnighters" LP:

Partners For Life - Federal 12251 - 1956

Open Up The Back Door - Federal 12260 - 1956

Early One Morning - Federal 12270 - 1956

Let Me Hold Your Hand - Federal 12288 - 1957

E Basta Cosi / In The Doorway Crying - Federal 12293 - 1957

Oh So Happy / Is Your Love For Real - Federal 12299 - 1957

Let 'Em Roll / What Made You Change Your Mind - Federal 12305 - 1957

Stay By My Side / Daddy's Little Baby - Federal 12317 - 1958

The Midnighters were founded as The Royals in Detroit in 1950. In late 1951 they were spotted at a talent show by Johnny Otis who recommended them to Syd Nathan, the owner of King Records. Before the end of 1951 the group were signed to the King subsidiary label Federal and their first recording session followed in January 1952. Their first single, the Johnny Otis penned "Every Beat Of My Heart" failed to chart, as did their next five singles. However, after their first session, the group were joined by Hank Ballard, whose songwriting and singing talents would transform their fortunes. He composed and sang lead on their first R&B chart success, "Get It", which climbed to number 6 in the R&B charts in the summer of 1953.

The modest success of "Get It" was totally eclipsed in early 1954 by the massive success of another Ballard composition and lead performance, "Work With Me Annie", a leeringly suggestive opus that outraged the moral majority (before they called themselves that), provoked bannings by radio stations and sold by the cartload to storm to the top of the R&B charts. As if that wasn't bad enough, a follow up piece of single entendre filth, "Sexy Ways", reached number 2. By now The Royals were no more, having been renamed The Midnighters. In fact the name change had taken place while "Work With Me Annie" was rising to the top of the charts, so that early pressings of the disc had The Royals on the label, with The Midnighters taking the credit on later pressings.

The Midnighters were back at the top of the charts in the autumn of 1954 with "Annie Had  A Baby", which may well have caused many of the moral majority to die of apoplexy. This disc kicked off a slew of answer songs by other artists which helped to cement the Midnighter's place as THE R&B phenomenon of 1954. However, as the year drew to a close, The Midnighter's next contribution to the Annie saga, "Annie's Aunt Fannie" merely demonstrated the law of diminishing returns as it failed to replicate the success of their earlier discs. In the summer of 1955 the group returned to the top 10 with another classic piece of R&B, "It's Love Baby (24 Hours A Day)" and that, strangely enough, was that.

Between 1955 and 1958 The Midnighters released a string of strong singles which included great R&B sides such as "That Woman", "Rock And Roll Wedding", "Rock Granny Roll", "Open Up The Back Door", "Tore Up Over You" and "Is Your Love For Real", all of which failed to chart nationally. The tracks on the "Hank Ballard And The Midnighters" LP all date from this period of chart failure.

The Midnighters onstage 1957/8

As can be seen from the above picture, The Midnighters were still a popular and dynamic live act. In mid 1958 The Midnighters were released from their recording contract with Federal and they recorded a demo version of "The Twist" for VeeJay. However they were soon re-signed to King where, now billed as Hank Ballard & The Midnighters, they recorded "Teardrops On Your Letter" and "The Twist" which became an R&B hit in early 1959. The record even scraped into the pop charts but it was Chubby Checker's cover version of "The Twist" which became an international pop sensation.

Although Hank and the group missed out on worldwide fame and fortune which should have been theirs with "The Twist", they were once again a successful R&B and even pop act. They had further success in 1960-61, starting with "Kansas City", followed by "Finger Poppin' Time", "Let's Go, Let's Go, Let's Go" and a string of dance records such as "The Hoochi Coochi Coo" and "The Continental Walk." The group broke up in 1962 and Hank continued with a solo recording and performing career into the Soul era.

More info at -

Marv Goldberg's in depth look at The Royals and early Midnighters:

http://www.uncamarvy.com/Royals/royals.html

Todd Baptista's overview of Hank Ballard & The Midnighters:

http://www.goldminemag.com/article/hank-ballard-the-midnighters-helped-to-shape-rock-and-roll

Recommended further listening:

"The Royals featuring Charles Sutton and Hank Ballard - The Federal Singles." Ace CDCHD 1054

- The Royals' complete Federal singles including "Work With Me Annie."

"Hank Ballard And The Midnighters - Come On And Get It: The Singles Collection 1954-1959."

Jasmine JASCD 568. 2 CD set with all The Midnighters singles from "Work With Me Annie" to beyond "The Twist." 58 tracks in all. The Midnighters at their peak.

"Dancin' And Twistin'" - Ace CDCHD 779. 24 Federal & King dance tracks from 1955 to 1969. Some duplication with the Jasmine set.

Ivory Joe Hunter - 7th Street Boogie

Side 1:

01. 7th Street Boogie

02. Blues At Sunrise *

03. Boogin' In The Basement

04. Reconversion Blues

05. High Cost Low Pay Blues

06. Grieving Blues

07. Siesta With Sonny

08. Send Me Pretty Mama

Side 2:

01. I Quit My Pretty Mama

02. Woo Wee Blues

03. Don't Fall In Love With Me

04. What Did You Do To Me

05. I Got Your Water On

06. SP Blues

07. Leave Her Alone

08. Don't You Believe Her

*Ivory Joe Hunter with Johnny Moore's Three Blazers

Download from:

http://www60.zippyshare.com/v/DFYyq3Rt/file.html

Go West, young man! Ivory Joe Hunter ('twas his actual name) was one of a number of Texas pianists / singers who moved to California during and after World War Two and helped kick start the growth of R&B on the West Coast. Charles Brown, Amos Milburn, Floyd Dixon and Little Willie Littlefield all spring immediately to mind.

When Ivory Joe arrived in Oakland, California in 1942, he was already an experienced club pianist, deejay and bandleader. He formed a jump band while performing at Slim Jenkins' club on 7th Street in Oakland, but was unable to attract the attention of any of the new West Coast record labels that were springing up. His first record, "Blues At Sunrise" was therefore recorded for his own short lived label, Ivory. It became a hit when it was picked up by Exclusive, reaching number 3 in the R&B charts at the end of 1945. In 1946/7 Ivory Joe issued singles on Pacific, a label in which he was a co-owner.

Sales of the Pacific records were poor, so Joe sold his masters to 4 Star who re-issued some sides which had originally appeared on Pacific and also gave a first time issue to some of Joe's hitherto unreleased masters. It was a reissue, "Pretty Mama Blues" (Pacific 637, 4 Star 1254) which became Joe's biggest success so far, reaching number 1 on the R&B chart in September 1948. By this time Joe had been recording for King for a year. He stayed with them until August 1949, having hits with "Don't Fall In Love With Me", "What Did You Do To Me", "Guess Who" / "Landlord Blues", and "Jealous Heart."

In October 1949 Joe started recording for MGM and hit it big, reaching the number 1 R&B spot with "I Almost Lost My Mind." His next MGM disc, "S.P. Blues" was a top ten hit and he was back at number 1 again with "I Need You So." "It's A Sin" was a lesser hit but as all of these chart successes came in 1950, Ivory Joe Hunter was the 3rd top selling R&B artist of that year, ahead of such luminaries as Roy Brown, Dinah Washington and Louis Jordan. There were no more hits on MGM and in 1954 Ivory Joe signed with Atlantic Records where he recorded more hit material, most noticeably "Since I Met You Baby" which was an R&B and pop hit in 1957. In the same year he had another hit with "Empty Arms."

In 1959 he recorded for Dot without much success and the 1960s were spent label hopping but without achieving any significant sales. He did, however, have a more productive time as a songwriter in both the Soul and Country & Western fields. A successful appearance at the Monterey Jazz Festival in 1970 led to recording sessions for Epic and Paramount, but in late 1973 he was diagnosed with lung cancer. Ivory Joe Hunter passed away in November 1974.

Most of the above info is from an article by Dik De Heer on rockabilly.nl. Additional information from Big Al Pavlow's "R & B Book" and Bill Millar's sleevenotes to this LP. There is an extended essay on Ivory Joe Hunter by Bill Millar in his excellent book "Let The Good Times Rock."

Article by Dik De Heer:

http://www.rockabilly.nl/references/messages/ivory_joe_hunter.htm

Original release details:

01. 7th Street Boogie - Pacific 601

02. Blues At Sunrise - Originally on Ivory, then Exclusive 56

03. Boogin' In The Basement - Pacific 602

04. Reconversion Blues - Pacific 601

05. High Cost Low Pay Blues - Pacific 630

06. Grieving Blues - Pacific 634

07. Siesta With Sonny - King 4220

08. Send Me Pretty Mama - King 4424

09. I Quit My Pretty Mama - King 4326

10. Woo Wee Blues - King 4455

11. Don't Fall In Love With Me - King 4220

12. What Did You Do To Me - King 4232

13. I Got Your Water On - King 4347

14. SP Blues - MGM 10618

15. Leave Her Alone - MGM 10663

16. Don't You Believe Her - MGM 10818

Many of the Pacific sides were re-released on 4 Star.

Explore further with:

"Jukebox Hits 1945 - 1950" on Acrobat,

"Blues, Ballads & Rock 'N' Roll" - collection of Atlantic sides on Ace,

"Woo Wee!" - collection of King sides on Ace.

And, joy of joys, Bill Millar's book "Let The Good Times Rock" is still available at reasonable prices on Amazon marketplace. A rippingly good read.

Chess Doo-Wop Re-upped

Side 1:
01. White Cliffs Of Dover - The Bluejays
02. Darling I Know - The El-Rays
03. Shoo Doo Be Doo (My Loving Baby) - The Moonlighters
04. Newly Wed - The Orchids
05. Show Me The Way - The Five Notes
06. Give Me (A Simple Prayer) - The Ravens
07. Nadine - The Coronets
08. Ding Dong - The Quintones

Side 2:
01. 4 O'Clock In The Morning - The Tornadoes
02. I Want To Love - The Sentimentals
03. Teardrops - Lee Andrews & The Hearts
04. Soft Shadows - The Monotones
05. I'm So Young - The Students
06. So Far Away - The Pastels
07. This Broken Heart - The Sonics
08. False Alarm - The Ravels

Download from here:

http://www25.zippyshare.com/v/D7eIfLem/file.html

Original drunken post (26th December 2011) here:

http://bebopwinorip.blogspot.co.uk/2011/12/chess-doo-wop.html

Having restored The Moonglows to the blog, it seemed fitting to resurrect the Chess Doo-Wop collection. The original post is a fine demonstration of the art of music blogging while lying semi-comatose on the deck. Note that Dean Martin once said, "You're not drunk if you can lie on the floor without holding on."

The Moonlighters were really The Moonglows going under another name. And The Ravens make an over-the-top appearance after their turn on the recently re-upped "Whoppers!" Jubilee compilation. And that's Gene Ammons on sax on track 1 "The White Cliffs Of Dover", which should attract the attention of the tenor sax crowd. Now where's the booze?

Look! It's The Moonglows (Chess LP 1430) re-upped

In response to a re-up request, here is the 1958 Chess LP "Look Out! It's The Moonglows" which was ripped by Joan K.

Download from:

Look Out! It's The Moonglows (Mega)

Side 1:

01. Love Is A River

02. Blue Velvet

03. This Love

04. When I'm With You

05. I'll Stop Wanting You

06. Don't Say Goodbye

Side 2:

01. Ten Commandments Of Love

02. Kiss Me Baby

03. Penny Arcade

04. Mean Old Blues

05. Sweeter Than Words

06. Cold Feet

Original post (9th July, 2008) is here:

http://bebopwinorip.blogspot.co.uk/2008/07/look-it-moonglows-chess-lp-1430_4117.html

For the story of The Moonglows, read Marv Goldberg's article here:

http://www.uncamarvy.com/Moonglows/moonglows.html

The download includes scans by Joan.

I Understand / Sugar Lump - The Four Tunes (Jubilee 5132)

Recorded January 1954, released February 1954. Number 6 on pop charts, number 7 on R&B charts. Personnel: Pat Best (baritone); Jimmie Nabbie (tenor); Danny Owens (tenor); Jimmy Gordon (bass). Pat Best sings lead on both sides. Besides writing "I Understand", he also wrote "I Love You For Sentimental Reasons."

Billboard review, 3rd April, 1954:

"I Understand" - "Warm and intimate ballad is arranged by a knowing hand. It shows off the Four Tunes to best advantage. This side may need only the slightest shove to get it off the ground. With the breaks it could build with the best of them. Bears close watching."

"Sugar Lump" - "Cute ditty, cleverly written, is awarded a bouncy and infectious reading by the group. A good, commercial waxing that could make some noise with energetic promotion."

The Four Tunes started as The Brown Dots, the group formed by Deek Watson when he left The Ink Spots. He eventually split with The Brown Dots who became The Sentimentalists and then The Four Tunes.

The full story is on Marv Goldberg's site here:

http://www.uncamarvy.com/BrownDots/browndots.html

From 1946 - 49 The Four Tunes recorded for Manor and its subsidiary Arco, both under their own name and as backing group for Savannah Churchill. They switched to RCA, recording for them from 1949 until 1952, then joined Jubilee with whom they recorded until 1957.

Thanks to Joan K for the sound files and scans of "I Understand" and its B side. And of course thanks to Joan for the whole Jubilee vocal group series.