Be Bop Wino Pages

Joan Selects - the complete Joan Selects Collection

Big Ten Inchers - 78rpm rips by El Enmascarado

Attention Mac Users!

Mac users have been experiencing problems in unpacking the WinRAR archives used on this blog. Two solutions have been suggested.

1. Use The Unarchiver - - see comments on Little Esther Bad Baad Girl post for details.

2. Use Keka - - see comments on Johnny Otis Presents post.

Sunday 28 October 2012

Jump & Jive On 78 - Volume 2

Side 1
1 Headhunter – Johnny Otis
2 Later – Tiny Bradshaw
3 Sing Rebop – Doles Dickens
4 Miss Betty’s Blues – Joe Liggins
5 The Honeydripper Pt 1 – Sammy Franklin
6 The Honeydripper Pt 2 – Sammy Franklin
7 Big Fat Mama – Mystery Artist
8 The Blues – Joe Liggins
9 The Mojo – Sax Mallard

Side 2
1 Blow Mr Jackson – Joe Liggins
2 Cool And Easy – Johnny Otis
3 South of the Orient – Tiny Bradshaw
4 Lover’s Lament – Joe Liggins
5 P.S. I Love You – Mystery Artist
6 Cotton Ball Pt 1 – Sonny Thompson
7 Cotton Ball Pt 2 – Sonny Thompson
8 Let’s Love Again – Sax Mallard
9 Don’t Move a Vip Till I Say Vop – Doles Dickens

We proudly present the second round up of  El Enmascarado’s rips from original R&B 78 rpm discs. The mood is more relaxed and cooler than on the somewhat more heated Volume One of the series, with the exception of the opening blaster, “Headhunter” by Johnny Otis. There’s plenty swingin’ and jivin’ for you cool cats which you can download from here:

A folder of label scans is included in the download.

Ripped from shellac at 128 kbps.

All the info on all the tracks is available on the original posts on Be Bop Wino. Here are the links to unfathomable depths of arcane knowledge:

With many, many thanks to El Enmascarado for his work in rescuing these original ten inchers, many of which are in very poor condition. Volume Three is already shaping up, with a few of its tracks already posted and more in the pipeline. Stay cool, you swing, jump and jive fans!

Wednesday 17 October 2012

Joan Spins Again! Volume 4

Side 1
1 Come On Little Baby - The Kings
2 Every Night About This Time - The Sophomores
3 It's Too Late Now - The Cufflinks
4 Never - The Dundees
5 Tree In The Meadow - The Carnations
6 Tomorrow Night - The Serenaders
7 Until You - The Delmonicos
8 4 O’clock In The Morning - The Tornadoes
9 Girl Friend – The Five Scalders

Side 2
1 Why Go On Pretending - The Haven Knights
2 I'm In Love - The Velvet Angels
3 Here I Am Broken Hearted - The Roomates
4 Nellie - The Invictas
5 I Love You Really I Do - The Tantones
6 Juke Box Rock 'n' Roll - The Marigolds
7 I've Been Dreaming - The Rogues
8 Crying My Heart Out - The Masters
9 Blue Island - The Rannels

Number four in Joan’s new series, and perhaps the best yet? Over to Joan –

In this volume there’s something for everyone. The Cufflinks from South Central Los Angeles, of "Guided Missile" fame show that they have mastery of the slow ballad as well. The extremely scarce and collectible "Never" by the Dundees, has namesake Carlyle Dundee on lead. Very few of these have ever surfaced, and most collectors have never even seen it over the last 30 years.

"Tree in the Meadow" is a dreamy early 1950's  ballad from the Derby record company. The Serenaders’ rendition  of Lonnie Johnson's "Tomorrow Night" is a most credible send-up, incidentally is also extremely scarce on Detroit's J.V.B. label.

The Five Scalders, also from Detroit are represented here on Volume Four with Girl Friend on Detroit's Drummond marque.  The Tornadoes on Chicago's legendary Chess label, are one of just a few doo wop groups on Chess (other than the Moonglows and Flamingoes), with their "Four O'Clock In The Morning".

Johnny Bragg takes the lead on the Marigolds up tempo "Juke Box Rock 'N' Roll". Bragg had his singing roots in the legendary Sun records Prisonaires vocal group, where he was lead harmony. Also in Volume 4 an interesting acapella issue with "I'm In Love" by the Velvet Angels, who by all accounts were the reformed Diablos several years after the original Nolan Strong and the Diablos disbanded. Rumor has it that Nolan Strong was in the harmony on this one, but not as lead vocalist.

Boogiewoody takes you through Joan’s platters that matter and tells you why this is one hell of a comp:

“Come On Little Baby” by The Kings is a breathless rush of 1950s adrenalin complete with searing sax that lasts about ten seconds then we’re straight into the kind of vocal group track that Joan knows I love – a 1950s reworking of a sophisticated ballad – “Every Night About this Time” which is an old Ink Spots number, here given the dreamy treatment by The Sophomores. And we’re gonna stay in dreamland for the next few tracks, so close your eyes and relax baby ‘cos here come The Cufflinks on Dootsie Williams’ Dooto label with a slab of pure 1950s longing – “It’s Too Late Now.” Yeah, she wants you back but you’ve found somebody else so you can tell her you’re through – or are you?

The slow numbers continue with “Never” which may be the ultimate “we’re through” song in which a terrific lead vocal by Carlyle Dundee soars triumphantly over an out of tune piano. We’re stayin’ sentimental with “Tree In The Meadow” by The Carnations which comes with an Ink Spots style guitar intro and there’s no “so long and get lost baby” sentiments here – just a plain and simple “I’ll Love You Forever.”

And now for an over the top vocal group version of “Tomorrow Night” a song which was a huge hit for Lonnie Johnson in 1948 and that was kind of unlikely ‘cos Lonnie was an innovative blues guitarist and vocalist and “Tomorrow Night” was a piece of Tin Pan Alley pop written in 1939. And I simply don’t know what to make of this out to lunch version by The Serenaders, whomsoever they might have been … I think I like it. Judge for yourselves.

Things sure liven up with an obviously worn to a frazzle disc of “Until You” by The Delmonicos, who kind of remind me of Dion and the Belmonts. Go for it, guys! And then …

OMG as they say – “Four O’clock In the Morning” by The Tornadoes which featured in an earlier Be Bop Wino post of Chess doo wop sides. A post which staggered drunkenly from weepy disc to weepy disc as your lovelorn blog host sought solace in a bottle of 12 year old Scotch while lying on the floor by the turntable … and here we are once more, with yours truly having gone through the complete loved and lost cycle again since that last post and now Joan comes up with this one! I ain’t gonna make it to the end of this comp I tells ya …

Phew, things speed up a bit now with “Girl Friend” which is a basic piece of teen pop with a great sax player on there in among the generic infantile lyrics. Second half coming up …

More sentimental teen type stuff from The Haven Knights but these guys have class. And now here’s some pure vocal joy – a brilliant acapella performance from The Velvet Angels with “I’m In Love.” There’s a definite heavy gospel influence on this one. And here’s where the art of the compilation kicks in as Joan keeps it unaccompanied with The Roomates showing off their chops on “Here I Am Broken Hearted.” The lyrics might seem trite but what a performance!

And now for a full yackety sax driven R&B performance of “Nellie” by The Invictas which shifts the mood nicely and we stay up tempo with the Tantones and their slightly weird falsetto lead vocal on another R&B stomper – “I Love You Really I Do.” This is deep doo wop and I love it!

Right, it’s time for a one hundred per cent stone classic piece of  rockin’ rhythm and blues. Yes, it’s The Marigolds led by the incomparable Johnny Bragg on a genuine blaster “Juke Box Rock ‘n’ Roll.” There are no words to describe the sheer genius of this one.

Gettin’ near the end and the scene shifts to a public toilet where we find The Rogues plus rhythm and sax squeezed into a cubicle with a microphone as they frantically belt out “I’ve Been Dreaming.” All good things must indeed come to an end so how does Joan bring this work of art to a close? Well, there’s a big, big sentimental ending with “Crying My Heart Out” by the solid gone The Masters. Can’t top that? Oh yes you can, if you’re as deeply into this kind of music as Joan is. “Blue Island” by The Rannels evokes a whole lost era of rock ‘n’ roll and r&b in a couple of minutes of sheer artistry. And that’s it folks. A long lost decade summed up in eighteen obscure and semi obscure records. That’s what I call a compilation!

Ripped in various bit rates.

 01 - The Kings - Come On Little Baby - 1958 - Jalo 203
 02 - The Sophomores - Every Night About This Time - 1956 - Dawn 216
 03 - The Cufflinks -  It'S Too Late Now 1957 - Dooto 422
 04 - The Dundees - Never – 1954 - Space 201
 05 - The Carnations - Tree In The Meadow - 1952 Derby 789
 06 - The Serenaders - Tomorrow Night - 1952 JVB 2001 
 07 - The Delmonicos - Until You – 1964 - Musictone 6122
 08 - The Tornadoes - 4 O'Clock In The Morning - 1956 - Chess 1649
 09 - The Five Scalders - Girl Friend – 1956 - Drummond 4-3001
 10 - The Haven Knights - Why Go On Pretending – 1957 - Atlas 1092
 11 - The Velvet Angels - I'm In Love – 1964 - Medieval 201 (The Diablos, acapella)
 12 - The Roomates - Here Am I Broken Hearted - Unreleased
 13 - The Invictas - Nellie – 1959 - Jack Bee 1003
 14 - The Tantones - I love you really I do – 1956 - Lamp 2002
 15 - The Marigolds - Juke Box Rock 'n' Roll – 1956 - Excello 2091
 16 - The Rogues - I've Been Dreamin - 1958 - Old Town 1056
 17 - The Masters - Crying My Heart Out - 1958 Le Sage 713
 18 - The Rannels - Blue Island – 1963 - Boss 2122

With thanks to Joan.

Sunday 7 October 2012

South of the Orient / Later – Tiny Bradshaw, His Piano and Band (King 4664 Dee Jay Special)

Both sides were recorded in Cincinnati on July 29th, 1953. Personnel: Bill Hardman (tp); Andrew Penn (tb); Sil Austin, Rufus Gore (ts); Jimmy Robinson (p); Sam Jones (b); Philip Paul (d)

The record was released in October, 1953. Sil Austin made his recording debut for the Bradshaw band at this session, having replaced Red Prysock who left earlier in the year to start a successful solo career. Thanks are due to El Enmascarado for unearthing this 78 rpm disc.

El Enmascarado comments: “South Of The Orient/Later by Tiny Bradshaw is on a white label promo/DJ copy. Although it looked pristine and pretty much unplayed, it had more surface grit than I expected. That might possibly have something to do with the disc seeming to be made out of vinyl rather than shellac.

South Of The Orient is kind of Afro/Exotica with a mambo beat. It's mostly piano bass and drums, although the horns play quietly in a few spots.

Later is a more straight ahead jump number. The drummer plays brushes rather than sticks, which tend to give it a lighter feel.”

This disc was released after Tiny Bradshaw had enjoyed two substantial instrumental R&B chart hits in 1953 – “Soft” and “Heavy Juice.” Unfortunately “South Of The Orient” failed to live up to the success of the two preceding Bradshaw releases. It may be that “South Of The Orient” was a little too exotic and “jazzy” for the R&B crowd.

Billboard Magazine reviewed “South Of The Orient” thus: “This Oriental flavoured effort bears a close kinship to some of the work being turned out by the bopsters today, but the pulsating tempo and the bright drum work make it a listenable hunk of wax. Good for jazz jocks.”

As for “Later” Billboard commented: “The Tiny Bradshaw ork has a happy time with this riff instrumental that is more jazz than r&b. It swings and it should please a lot of the cats.”

Here’s your chance to hear the two numbers that made it big for Tiny Bradshaw in 1953. “Soft” was released in late 1952 and peaked at number 3 in the R&B charts, spending most of spring 1953 on the best selling list. “Heavy Juice” was a smaller hit, reaching number 9 in August 1953.