Be Bop Wino Pages

Joan Selects - the complete Joan Selects Collection

Big Ten Inchers - 78rpm rips by El Enmascarado


Attention Mac Users!

Mac users have been experiencing problems in unpacking the WinRAR archives used on this blog. Two solutions have been suggested.

1. Use The Unarchiver - www.theunarchiver.com - see comments on Little Esther Bad Baad Girl post for details.

2. Use Keka - http://www.kekaosx.com/en/ - see comments on Johnny Otis Presents post.

Showing posts with label DeLuxe Records. Show all posts
Showing posts with label DeLuxe Records. Show all posts

Friday, 20 March 2020

Roy Brown - Boogie At Midnight






















Side 1:
01) Mighty Mighty Man
02) Boogie At Midnight
03) Cadillac Baby
04) Hard Luck Blues
05) Love Don't Love Nobody
06) Too Much Lovin' Ain't No Good
07) Big Town
08) Rock-A-Bye Baby

Side 2:
01) Answer To Big Town
02) Ain't No Rockin' No More
03) My Gal From Kokomo
04) Fannie Brown Got Married
05) Black Diamond
06) Shake 'Em Up Baby
07) Adorable One
08) Good Looking And Foxy Too






As Mr Pacino is wont to say, "Hoo Hah!" Here's another Charly comp of King (and De Luxe) sides which I bought many years ago and somehow never got round to digitising. A few years back I posted a Gusto 2LP set on Roy Brown and thought that there was no need to add this one, but on closer examination I see that this LP has some previously unissued sides (all excellent) plus some sides from Roy's late 1950s return to the King label. Besides that there's another Dave Gibson at Nozbig cover and, well, the whole thing is just a load of fun.

The usual extra info on the original issues on singles of the tracks is below plus there's a link to the Gusto 2 LP post which has been updated with new download links. We'll be rockin' through self isolation here on Be Bop Wino. Requested re-ups, more from Marv, and perhaps a few surprises coming along. Stay safe, folks.

Original Issues:

Mighty, Mighty Man / Miss Fanny Brown - De Luxe 1128 - February 1948

Boogie At Midnight / The Blues Got Me Again - De Luxe 3300 - November 1949

Hard Luck Blues / New Rebecca - De Luxe 3304 - June 1950

Love Don't Love Nobody / Dreaming Blues - De Luxe 3306 - September 1950

'Long About Sundown / Cadillac Baby - De Luxe 3308 - September 1950

 Billboard 9th September 1950

Train Time Blues / Big Town - De Luxe 3318 - July 1951

Gal From Kokomo / Ain't It A Shame - King 4731 - August 1954

Black Diamond / Worried Life Blues - King 4743 - October 1954

Fanny Brown Got Married / Queen Of Diamonds - King 4761 - December 1954

Shake 'Em Up Baby / Letter To Baby - King 4816 - July 1955

Good Looking And Foxy Too / Hard Luck Blues - King 5218 - July 1959

Ain't No Rocking No More / School Bell Rock - King 5247 - September 1959

Adorable One / Ain't Got No Blues Today - King 5333 - April 1960

Too Much Lovin' Ain't No Good; Rock-A-Bye Baby; Answer To Big Town - all previously unissued


The above post includes a write up on the career of Roy Brown. It's well worth grabbing this 2LP set from Gusto which was one of the first R&B records I bought back in the late 1970s. New download links have been added!

For rockin' high jinx - just follow the linx!

Saturday, 2 June 2018

Paul Gayten & Annie Laurie - Creole Gal


Side 1:
01. Your Hands Ain't Clean - Paul Gayten
02. True - Paul Gayten
03. Peter Blue And Jasper Too - Paul Gayten
04. I Still Love You - Paul Gayten
05. One Sweet Letter From You - Annie Laurie
06. Hey, Little Girl - Paul Gayten
07. Annie's Blues - Annie Laurie
08. Gayten's Nightmare - Paul Gayten

Side 2:
01. Creole Gal - Paul Gayten
02. My Rough And Ready Man - Annie Laurie
03. You Ought To Know - Paul Gayten
04. Cuttin' Out - Annie Laurie
05. I Ain't Gonna Let You In - Annie Laurie & Paul Gayten
06. Broadway's On Fire - Broadway Bill
07. Goodnight Irene - Paul Gayten
08. Cow Cow Blues - Paul Gayten
09. Nervous Boogie - Paul Gayten






Time for a revival of this fab Route 66 comp of Paul Gayten and Annie Laurie sides recorded mainly for the DeLuxe and Regal labels from 1947 to 1950. It's no exaggeration to say that New Orleans R&B starts here for Paul Gayten's "True" was the first Crescent City R&B recording to hit the national charts back in 1947. Nowadays we tend to think that the wildly successful New Orleans brand of R&B was launched by Fats Domino or maybe by Professor Longhair or even by Roy Brown. Nope, Paul Gayten was there first.

Early Days

Pianist, singer, bandleader, songwriter, producer and arranger Paul Gayten was born on January 29th 1920. Most sources give his place of birth as Kentwood, Louisiana, but in John Broven's sleevenotes to this LP which are based on a 1975 interview, Paul was clear that he was actually born in New Orleans. His extended family were natives of Kentwood and he lived there for part or perhaps all of his childhood. They were a musical family - his uncles, aunts, and his mother all played piano and Paul played from the age of twelve. His mother's brother was the blues pianist Little Brother Montgomery and their father, Harper Montgomery, played violin and ran juke joints.

According to a Blues Heaven online article, Harper Montgomery along with other family members relocated from Kentwood to Norfield, Mississippi, during the 1920's. Among the family members who made the move were Paul Gayten's parents, so we may assume that young Paul was along too. Harper, who had been running a juke joint in Kentwood, made the move to Norfield in order to work in the lumber industry. When the Norfield sawmill closed down, members of the Montgomery family relocated to Canton, Mississippi.

Sometime afterwards, members of the family moved to Jackson, Mississippi. Little Brother Montgomery had a small swing style band based there from around 1932 to 1939. Known as The Southland Troubadours and also The Collegiate Ramblers, they toured extensively in the Mid West and the South. The band broadcast regularly on local radio stations but were never recorded. In the mid 1930's  Little Brother Montgomery recorded sides for Vocalion, Decca and Bluebird either as a solo or with minimal accompaniment, usually a guitarist and extra vocalist.

According to John Broven's sleeve notes, Paul Gayten moved to Jackson in 1934 where he stayed with a "godfather" who owned a nightclub there. Perhaps this was Harper Montgomery. Paul started gigging in the club then had a spell with the Doc Parmley band for a year in 1935. Doc Parmley was the trumpet player in Little Brother Montgomery's band which he finally took over in 1939, so perhaps Paul's spell with the band was as a temporary replacement for his uncle who may have been busy with his recording activities. Paul also played with another Jackson based band, that of Don Dunbar and also toured with the Royal American Shows and then Silas Green.

Founded in 1923, The Royal American Shows (The World's Largest Midway) was a travelling carnival which toured the U.S.A. and Canada for most of the 20th Century, lasting until 1997. Silas Green From New Orleans was another long lived travelling attraction, being an African American owned tent show which toured the Southern States from 1904 to 1957 (although there are reports of them still operating as late as 1962).

Above: the Silas Green band assembles outside the tent in 1937

After leaving the Silas Green show in 1938, Paul returned to Jackson where he put together a band of his own (Paul Gayten's Sizzling Six) which included local sax man and future be bop star Teddy Edwards. In 1940 Paul was drafted into the forces, spending the war at Biloxi Army Airforce base where he led the base band. After the war, having met and married a New Orleans girl, he relocated to the Crescent City.

New Orleans, DeLuxe and Regal

On arrival in New Orleans Paul Gayten organised a trio which had Edgar Blanchard on guitar, George Pryor on bass and Robert Green on drums. A residency was secured at the Club Robin Hood and when Jules and David Braun, the owners of DeLuxe Records of Linden, New Jersey, came looking for New Orleans acts in early 1947, the Paul Gayten band was quickly signed up and the first recording session took place in January. The first Gayten record, "True" was a hit and around this time a female vocalist, Annie Laurie was added to the band. Her DeLuxe recording with the Gayten band of "Since I Fell For You" was an even bigger hit than "True."


Billboard, October 25th, 1947

The Gayten band had further success with "Hey Little Girl" in early 1948. As well as being on their own issues, and on those of Annie Laurie, the group also appeared on sides by Chubby Newsom and Eddie Gorman. In 1947-48 DeLuxe had a virtual monopoly on New Orleans talent, putting out discs by Smiley Lewis, Dave Bartholomew, and biggest of them all, Roy Brown. A double blow weakened the company in late 1947 and early 1948 when a fire in their pressing plant destroyed a large number of masters in November 1947, and the AFM recording ban followed at the beginning of 1948.

The company was rescued from financial ruin by the purchase of 51% of its shares by Syd Nathan of King Records. The relationship between Nathan and DeLuxe proved to be stormy and it ended with a complete takeover by King in mid 1949. Roy Brown transferred to King while the Braun brothers along with new partner Fred Mendelsohn set up a new label in New Jersey, Regal Records. The Gayten band along with Annie Laurie and new male vocalist Larry Darnell signed for the new label.

Back at the beginning of 1949 the Gayten band had expanded from a trio to a more substantial outfit which included trumpeter Wallace Davenport and tenor sax player Lee Allen. The move to Regal brought more chart success with Annie Laurie hitting with "Cuttin' Out" in late 1949 and two Gayten / Laurie duets selling well in 1950 - "I'll Never Be Free" and "I Ain't Gonna Let You In." However the biggest successes for the Gayten outfit were fronted by Larry Darnell - "For You My Love" (written by Gayten) and "I'll Get Along Somehow."

The Cash Box December 17th 1949

In 1991 the Regal recordings of Paul Gayten and Annie Laurie (but not Larry Darnell) were compiled by Billy Vera on a CD originally released on Specialty in the U.S and Ace in the U.K., "Regal Records In New Orleans." Sadly this collection is now out of print.


In mid-1951 Regal Records fell victim to financial problems. Paul Gayten, Annie Laurie and Larry Darnell's contracts were taken up by the newly reactivated OKeh label which had been set up as the R&B subsidiary of Columbia Records.

OKeh And Chess

Paul Gayten's first session for OKeh was on October 31st 1951, with Annie Laurie and Larry Darnell having their first OKeh sessions in November 1951. Neither of the two vocalists ever recorded with Paul for OKeh, as they were backed by bands under the direction of Howard Biggs and Leroy Kirkland. The sleeve notes on this LP record Paul's dissatisfaction at OKeh but there were a couple of good sellers in "They All Ask For You (Down At The Zoo)" in the autumn of 1952, and "Cow Cow Blues" (especially in Los Angeles and New Orleans) in the autumn of 1953.

Paul's last OKeh session was in November 1953. In 1954 he joined Chess Records as a producer, songwriter and talent scout. He also recorded for the label intermittently between 1954 and 1959, with his records being released on Chess subsidiaries Checker, Argo and Anna. Some of these mainly instrumental records did have limited success - "The Hunch," "Nervous Boogie" and "Windy" with the last named just about scraping into The Hot Hundred. South African and U.K. fans may recognize the tune of "Windy" as "Tom Hark" which was a big hit for SA group Elias And His Zigzag Jive Flutes. This original version reached number two in the UK charts in April 1958 and a rowdy vocal version by The Piranhas charted in the UK in 1980.

Among the records Paul produced at Chess were "Later Alligator" by Bobby Charles, "But I Do" (which he co-wrote with Eddie Bo) and "Ain't Got No Home," by Clarence "Frogman" Henry, and "Flat Foot Sam" by T.V. Slim. When Chess opened an office in Los Angeles, Paul was put in charge and he moved to LA where he spent the rest of his life. He worked for Chess until 1969, then started his own label, Pzzaz. Unfortunately the label only lasted a few years and when it went under, Paul retired from the music business. He died in LA on the 26th March 1991 from heart failure.

In 1989 Billy Vera compiled a collection of Paul Gayten's Chess sides, entitled "Paul Gayten: Chess King Of New Orleans." It appeared firstly as a 10 track LP and then as a 12 track CD. Both versions are long out of print.



Fax On The Trax

"True" and "Your Hands Ain't Clean" recorded in New Orleans in January 1947. Personnel: Paul Gayten (vocal, piano); Edgar Blanchard (guitar); Warren Stanley (bass); Robert Green (drums).

"True" / "Your Hands Ain't Clean" released on DeLuxe 1063 in March 1947. Reviewed in Billboard, July 1947. Number 5 in the Billboard Juke Box Race Records chart, October 18th, 1947.


"I Still Love You" - recorded in New Orleans in August / September 1947. Personnel: Annie Laurie (vocal); acc by Paul Gayten and his Trio: Paul Gayten (piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"Ghost Of A Chance" / "I Still Love You" released on DeLuxe 1106 in October 1947. A Side credited to Annie Laurie with Paul Gayten & His Trio. B Side credited to Paul Gayten & His Trio with Annie Laurie.

"Peter Blue & Jasper Too" recorded in New Orleans in September 1947. Personnel: Paul Gayten (vocal, piano) with Jack Scott (guitar); George Pryor (bass); Robert Green (drums).

"Peter Blue & Jasper Too" / "In The Evening When The Sun Goes Down" by Paul Gayten & His Trio released on DeLuxe 1118 in March 1948.

Cash Box March 20th 1948

"One Sweet Letter From You" recorded in New Orleans in November 1947. Personnel: Annie Laurie (vocal); with Paul Gayten (piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"I Love You Yes I Do" / "One Sweet Letter From You" by Annie Laurie and the Paul Gayten Trio released on DeLuxe 1131 in January 1948.


label shots adapted from audiopreservationfund.org

"Hey Little Girl" recorded in New Orleans in November 1947. Personnel: Paul Gayten (vocal, piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"I Love You, Yes I Do" / "Hey, Little Girl" by Paul Gayten And His Trio released on DeLuxe 1138 in January 1948.

Confusion reigns here. There was a release on DeLuxe 1170 in March / April 1948 with "Hey, Little Girl" on the A Side and "One Sweet Letter From You" (Annie Laurie) on the B Side. We shall move swiftly on to 1949.

"Annie's Blues" was recorded in New York (?) in January 1949. Personnel: Annie Laurie (vocal); with Paul Gayten and Band: Wallace Davenport (trumpet); unknown trombone, alto sax; Lee Allen (tenor sax); Paul Gayten (piano); Peter "Chuck" Badie (bass); Robert Green (drums).

"Waiting For You" / "Annie's Blues" released in January / February 1949 on DeLuxe 1211, then Deluxe 3211. "Annie's Blues" was number 6 in the "Hot In New Orleans" chart in The Cash Box, February 26th, 1949.
Billboard 5th March, 1949

"Gayten's Nightmare" and "Creole Gal" recorded in New Orleans, February 1949. Personnel: Paul Gayten (vocal, piano); with Wallace Davenport (trumpet); unknown trombone, alto sax; Lee Allen (tenor sax); Peter "Chuck" Badie (bass); Robert Green (drums).

"Hard To Go Through Life Alone" / "Gayten's Nightmare" issued on DeLuxe 1210 and 3210, probably February / March 1949. "Gayten's Nightmare" number 9 in Hot In Other Cities" Atlanta chart, 23rd April 1949.

"Can't Help Lovin' That Gal" / "Creole Gal" issued on DeLuxe 1215, 3215 in first half of 1949.

The above was the last Paul Gayten session for DeLuxe which was bought over by King Records. A successor company to DeLuxe called Regal was set up and Paul Gayten and Annie Laurie started recording for the new label in August / September 1949.

"My Rough And Ready Man" and "Cuttin' Out" were recorded in New Orleans in early September 1949. Personnel: Annie Laurie (vocal) with Wallace Davenport (trumpet); Frank Campbell (alto sax); Buddy Tate (tenor sax); Cecil Payne (baritone sax); Paul Gayten (piano); Jack Scott (guitar); George H. Pryor (bass); Robert Green (drums).

"Cuttin' Out" / "My Rough And Ready Man" released on Regal 3235 in October 1949. Annie Laurie with the Paul Gayten Orchestra.

"You Ought To Know" was recorded in New Orleans in early September 1949. Personnel: Paul Gayten (vocal,p) withTaft Jordan (trumpet); Eddie Barefield (alto sax); Buddy Tate (tenor sax); Cecil Payne (baritone sax); unknown guitar and bass; Denzil Best (drums).

"I'll Never Be Free" / "You Ought To Know" released on Regal 3258 in March 1950. Side A by Annie Laurie, Paul Gayten and His Orchestra. Side B by Paul Gayten and His Orchestra.

"Broadway's On Fire" was recorded in New Orleans in February 1950. Personnel: "Broadway Bill" Cook (vocal) with Paul Gayten (piano); unknown tenor sax, guitar, bass; Sam Woodyard (drums).

"Broadway's On Fire" by Broadway Bill with Paul Gayten and orchestra / "Bellboy Boogie" by Paul Gayten and orchestra released on Regal 3255 in March (?) 1950.

adapted from rootsvinylguide.com

"I Ain't Gonna Let You In" was recorded in New Orleans in February 1950. Personnel: Annie Laurie (vocal) with Paul Gayten (vocal, piano); John Hunt (trumpet); "Chippy" Outcalt (trombone); Eddie Barefield (alto sax); Ray Abrams (tenor sax); Aaron Bell (bass); Sam Woodyard (drums); Howard Biggs (arranger).

"I Ain't Gonna Let You In" / "I Need Your Love" released on Regal 3273, May / June (?) 1950. "I Ain't Gonna Let You In" credited to Annie Laurie - Paul Gayten with the Paul Gayten Orchestra.

Cash Box, 22nd July 1950

"Goodnight Irene" recorded in New York in early August 1950. Personnel: Paul Gayten and his Orchestra: Wallace Davenport (trumpet); Eddie Barefield (alto sax); Hank Mobley (tenor sax); Frank Campbell (baritone sax) Paul Gayten (vocal, piano); Larry Goines (bass); unknown (drums); The Coleman Brothers (vocal group).

"Goodnight Irene" / "Ooh La La" released on Regal 3281 in August / September 1950.


"Cow Cow Blues" recorded in New Orleans on May 4th, 1953. Personnel: Paul Gayten (piano) with unknown (bass, drums).

"Cow Cow Blues" / "Ooh-Boo" by Paul Gayten and his Orchestra released on Okeh 6982 in June 1953.

adapted from Discogs.com

"Nervous Boogie" recorded in New Orleans in March 1957. Personnel: Paul Gayten (piano) with Lee Allen (tenor sax); Alvin "Red" Tyler {baritone sax); Edgar Blanchard (guitar); Roland Cook or Frank Field (bass); Charles "Hungry" Williams (drums).

"Nervous Boogie" by Paul Gayten and his Band / "Flatfoot Sam" by Oscar Wills with Paul Gayten Orch. released on Argo 5277 in August 1957.

Sources:

Billy Vera became friends with Paul Gayten in 1979. He wrote the liner notes for the two CDs he compiled - "Regal Records In New Orleans" and "Chess King Of New Orleans." He also wrote an article "Remembering Paul Gayten" for Blues And Rhythm Magazine (number 202 - September 2005).

John Broven wrote the notes for this LP "Creole Gal" and also covered Paul Gayten in his book "Rhythm & Blues In New Orleans."

Other sources - Bruyninckx discography, "Big Band Jazz" by Albert McCarthy, Big Al Pavlow's The R&B Book, Discogs.com, 45Cat.com, Billboard, The Cash Box, bluesheaven.com.

Recommended purchase -


Probably the only CD which is still available is the El Toro compilation "Ain't Nothin' Happenin' - Cool Jump Blues 1947 - 1957." 30 tracks spanning Paul Gayten's career including sides by Annie Laurie and Larry Darnell. Doesn't quite include every biggie, but it's your best bet for digging up some cool Gayten.

Friday, 20 January 2017

King R&B All-Stars re-upped














































Side 1:
01. Tell The Truth - The 5 Royales
02. I'll Go Crazy - James Brown & His Famous Flames
03. Driving Sideways - Freddy King
04. Don't Throw Your Love On Me So Strong - Albert King
05. Over The Rainbow - The Checkers
06. Cherry Wine - Little Esther

Side 2:
01. I'm Tore Up - Billy Gayles
02. Goofy Dust Blues - Little Willie Littlefield
03. Tonk Game - Hank Marr
04. It Won't Be This Way Always - The King Pins
05. Teardrops On Your Letter - Hank Ballard & The Midnighters
06. Need Your Love So Bad - Little Willie John

Download from here:

http://www23.zippyshare.com/v/LPIZFhyk/file.html

Original post (September 3rd 2011) is here:

http://bebopwinorip.blogspot.co.uk/2011/09/king-r-all-stars.html

Re-upped by request - a short no-frills homemade comp of sides from King and subsidiaries Federal and DeLuxe. I can't believe it's five and a half years since this was originally posted. Tempus fugit.

Wednesday, 19 October 2016

Otis Williams and His Charms - 16 Original Greatest Hits




































































Side 1:
01. Heaven Only Knows
02. Hearts Of Stone
03. Two Hearts
04. Ling Ting Tong
05. Bazoom (I Need Your Love)
06. Ko Ko Mo (I Love You So)
07. Whadaya Want?
08. Gum Drop

Side 2:
01. Ivory Tower
02. In Paradise
03. Save Me Save Me
04. That's Your Mistake
05. United
06. Could This Be Magic
07. Little Turtle Dove
08. Panic

Download from here:


Track details:

Tracks 1 - 7 released as by "The Charms", other release credits noted beside each track.

01. Heaven Only Knows - Rockin' 516, July 1953; DeLuxe 6000, September 1953
02. Hearts Of Stone - DeLuxe 6062, September 1954
03. Two Hearts - DeLuxe 6065, November 1954
04. Ling Ting Tong - DeLuxe 6076, December 1954
05. Bazoom (I Need Your Lovin') - DeLuxe 6076, December 1954

Above: review in Billboard, 11th December 1954. The Charms were top of the R&B charts that week with "Hearts Of Stone." The Charms were the 9th best selling R&B act in 1954 and "Hearts Of Stone" was the 2nd best selling R&B record of that year, with "Work With Me Annie" by The Midnighters being the year's top R&B seller.

06. Ko Ko Mo (I Love You So) - DeLuxe 6080, January 1955
07. Whadaya Want? - DeLuxe 6080, January 1955
08. Gum Drop - DeLuxe 6090, June 1955, Otis Williams and His New Group
09. Ivory Tower - DeLuxe 6093, March 1956, Otis Williams And His Charms
10. In Paradise - DeLuxe 6093, March 1956, Otis Williams And His Charms
11. Save Me Save Me - DeLuxe 6090, June 1955, Otis Williams and His New Group
12. That's Your Mistake - DeLuxe 6091, January 1956, Otis Williams and His New Group
13. United - DeLuxe 6138, June 1957, Otis Williams And His Charms
14. Could This Be Magic - DeLuxe 6158, December 1957, Otis Williams And His Charms
15. Little Turtle Dove - King 5455, February 1961, Otis Williams And His Charms
16. Panic - King 5527, August 1961, Otis Williams And His Charms

The full story of The Charms, Otis Williams and His New Group, and Otis Williams And His Charms is told on Marv Goldberg's site here:

http://www.uncamarvy.com/Charms/charms.html

This is a re-up of an LP originally posted in January 2008. Cover and label scans are new, as the original cover scans were "incomplete", i.e. they didn't capture the whole front and back covers. While working on the new scans I noticed that the price label was from Saturn-Hansa in Munich - 7.95 Deutschmarks. Them were the days! (Das war Zeiten!)

Original post is here:

http://bebopwinorip.blogspot.co.uk/2008/01/otis-williams-and-his-charms-16_8803.html

Posts will be somewhat shorter for a while as the new academic term has started and I've returned to my studies. Thanks to everyone who has expressed support regarding the rip-off merchants who try to sell material posted on this blog. The fight for truth, justice and the true spirit of rock'n'roll goes on!

Sunday, 3 April 2016

Battle Of The Blues Volume 2 (King LP 627)





Tracklist:

Side 1 (Roy Brown):
01. Hard Luck Blues
02. Dreamin' Blues
03. 'Long About Sundown
04. Double Crossin' Woman
05. Sweet Peach
06. Wrong Woman Blues
07. Brown Angel

Side 2 (Wynonie Harris):
01. Man, Have I Got Troubles
02. I'll Never Give Up
03. Here Comes The Night
04. Luscious Woman
05. Drinking Blues
06. Nearer My God To Thee
07. Tremblin'

Download from here:



This is the second of four volumes of "Battle Of The Blues" that Joan K donated to the blog in 2008. Originally released in 1959, Volume 2 is a return bout between Roy Brown and Wynonie Harris, although this time the combatants opt for slow, moody blues songs rather than the all out rockin' R&B of the first volume. An interesting contrast in styles between the crying style of Roy and the hoarse voiced shouting of Wynonie. Superb musicianship on all tracks.

Original post (from 27th November 2008) is here:


The remaining 2 volumes will be posted soon as will other requested re-ups (Tab Smith, early Earl Bostic, Count Hastings, and The Paragons Meet The Jesters.)

Have a bluesing good Sunday!

Saturday, 2 April 2016

Battle Of The Blues (King LP 607)





Tracklist:

Side 1 (Roy Brown):
01. Boogie At Midnight
02. Big Town
03. Bar Room Blues
04. Love Don't Love Nobody
05. Miss Fanny Brown
06. Lolly Pop Mama
07. I've Got The Last Laugh Now

Side 2 (Wynonie Harris)
01. Bloodshot Eyes
02. Good Rockin' Tonight
03. Loving Machine
04. Shake That Thing
05. I Feel That Old Age Coming On
06. All She Wants To Do Is Rock
07. Good Morning Judge

Download from:

http://www11.zippyshare.com/v/doP5vbuo/file.html

Hang on to your hats, rockin' cats 'n' jivin' kittens, because someone has requested a re-up of the entire King "Battle Of The Blues" series. These LPs were originally issued in the late 1950s / early 1960s. They were collections of sides by Roy Brown, Wynonie Harris, Eddie "Cleanhead" Vinson and Jimmy Witherspoon which had been released as singles on King / Federal / DeLuxe from the late 1940s through to the mid 1950s.

This LP, the first in the series, was issued in 1958. "Rousing" is the word for the music contained herein as Roy and Wynonie bawl the blues over a raucous backing of pounding drums and squealing saxes.

Joan K donated all 4 volumes to Be Bop Wino back in September 2008. The original music files were in m4a format which I then converted to mp3 (192 kbps), so the sound quality isn't so hi in the fi. It's still good enough to freak out the neighbours, especially if you hook up your laptop / desktop / tablet or whatever to your sound system like I do. Let the blues blast forth!

The original post can be found here:

http://bebopwinorip.blogspot.co.uk/2008/11/roy-brown-wynonie-harris-battle-of_2311.html

More info and brilliant tracks by Roy Brown available on this post of the Gusto 2LP set "Hard Luck Blues":

http://bebopwinorip.blogspot.co.uk/2013/09/roy-brown-hard-luck-blues.html



More info on Wynonie Harris on this post of the Route 66 LP "Oh Babe!":

http://bebopwinorip.blogspot.co.uk/2009/11/wynonie-harris-oh-babe.html


Sunday, 29 September 2013

Roy Brown - Hard Luck Blues




Volume One
Side One
1. Hard Luck Blues
2. Good Rockin' Man
3. Ain't It A Shame
4. Love Don't Love Nobody
5. I've Got The Last Laugh Now
6. Trouble At Midnight

Side Two
1. Boogie At Midnight
2. Travelin' Man
3. Ain't Got No Blues Today
4. Wrong Woman Blues
5. Queen Of Diamonds
6. Worried Life Blues

Volume Two

Side One
1. Ain't No Rockin' No More
2. Letter From Home
3. Beautician Blues
4. Long About Sundown
5. Bar Room Blues

Side Two
1. Train Time Blues
2. Sweet Peach
3. Double Crossin' Woman
4. Lonesome Lover
5. Big Town

Ripped from vinyl @ 320 kbps. No Password

Download from here:





It's time to post another of those Gusto double LP sets which I used to pick up cheaply in a Glasgow department store way back around 1978 or 9. And it’s also time to pay tribute to one of the major figures of vintage R&B, Roy Brown. He was the original good rockin’ man, being the composer of “Good Rockin’ Tonight” which he pitched unsuccessfully to Wynonie Harris in 1947. Roy was signed by DeLuxe Records of New Jersey and recorded the song himself, achieving a substantial R&B hit in 1948. However a cover version by Harris outsold the original and to add insult to injury Harris had another R&B hit with a cover of the B side of Roy’s disc, “Lolly Pop Mama.”

Roy’s singing style was very different from that of Harris and the other blues shouters of the time. His vocals were much more overtly influenced by gospel, indeed Roy’s earliest musical performances had been with a gospel group, and he was more of a blues “crier” than a shouter. His passionate, torridly emotional delivery was a big influence on B.B. King, Bobby Bland, Clyde McPhatter and any number of singers whose style is retrospectively considered to be an early manifestation of soul singing.

He was also a big influence on Elvis Presley who recorded a version of “Good Rockin’ Tonight” for Sun Records. I’ve always found it interesting to compare “Hard Luck Blues” with “Heartbreak Hotel.” The songs are similarly structured and surely Elvis’ emotional delivery of a tale of woe is largely inspired by Roy’s overwrought performance on the even more desolate “Hard Luck Blues.”

Roy had a string of big R&B hits between 1948 and 1951 and it should be remembered that not only did he sing on the mix of poignant blues and wild rockers which constituted his chart topping oeuvre, he wrote them too. He was backed by some of the best jump bands around, including his own Mighty Mighty Men and the Tiny Bradshaw and Griffin Brothers outfits. But from 1952 onwards there were no more hits on the DeLuxe label which had been bought out by King Records in 1948.

It has been said that Roy’s successful lawsuit which he took out against King over royalty payments had something to do with the situation, but despite the dispute King continued to record and release very strong material by Roy. It may be that like many of his contemporaries, Roy was a victim of changing fashions within the R&B world, with a younger generation preferring vocal groups to aging blues singers.

His last hits were for Imperial Records in 1957 with covers of Buddy Knox’s “Party Doll” and Fats Domino’s “Let The Four Winds Blow.” There was a brief and fruitless return to King and Roy’s singing career gradually faded. He continued to record and perform intermittently throughout the 60’s and 70’s and unlike so many other performers of post war rhythm and blues he was able to take advantage of the revival of interest in vintage R&B which started to take hold in the late 1970s /early 1980s. Tragically he died at the young age of 55 in 1981. Had he lived longer he would assuredly have spent many years touring the blues and rock’n’roll festivals where he would have received the acclaim of new generations of fans.


The tracks, recording dates and original release numbers:

1. Hard Luck Blues – Recorded in Cincinnati, April 19th, 1950. DeLuxe 3304 (no. 1 R&B 1950)

2. Good Rockin' Man – Recorded in Cincinnati, January 16th, 1951. DeLuxe 3319

3. Ain't It A Shame – Recorded in New Orleans, May 27th, 1954. King 4731

4. Love Don't Love Nobody – Recorded in Cincinnatti, June 15th, 1950. DeLuxe 3306 (no. 2 R&B 1950)

5. I've Got The Last Laugh Now – Recorded in Cincinnati, January 16th, 1951. DeLuxe 3323

6. Trouble At Midnight – Recorded in Miami, December 15th, 1953. King 4704

7. Boogie At Midnight - Recorded in Dallas, September 20th, 1949. DeLuxe 3300 (no. 3 R&B 1949)

8. Travelin' Man – Recorded in New Orleans, December  18th, 1952. King 4602

9. Ain't Got No Blues Today – Recorded in Cincinnati, May 7th, 1959. King 5333

10. Wrong Woman Blues – Recorded in Cincinnati, January 16th, 1951. DeLuxe 3313

11. Queen Of Diamonds – Recorded in New Orleans, May 27th, 1954. King 4761

12. Worried Life Blues – Recorded in New Orleans, September 2nd, 1954. King 4743

13. Ain't No Rockin' No More – Recorded in New Orleans, May 27th, 1954. King 5247

14. Letter From Home – Recorded in New Orleans, December 19th, 1952. King 4684

15. Beautician Blues – Recorded in Cincinnati, June 23nd, 1950. DeLuxe 3313

16. Long About Sundown – Recorded in Cincinnati, June 22nd, 1950. DeLuxe 3308 (no. 8 R&B 1950)

17. Bar Room Blues – Recorded in Cincinnati, June 22nd, 1950. DeLuxe 3319 (no. 6 R&B 1951)

18. Train Time Blues – Recorded in Cincinnati, June 22nd, 1950. DeLuxe 3318

19. Sweet Peach - Recorded in Cincinnati, April 19th, 1950. DeLuxe 3312

20. Double Crossin' Woman – Recorded in Cincinnati, June 23nd, 1950. DeLuxe 3311

21. Lonesome Lover – Recorded in Cincinnati, September 27th, 1951. King 4689

22. Big Town – Recorded in Cincinnati, January 16th, 1951. DeLuxe 3318 (no. 8 R&B 1951)

The musicians:

Roy Brown vocal on all tracks, accompanied by -

Teddy Riley (tp) Johnny Fontenette (ts) Edward Santineo (p) Louis Sargent (g) Tommy Shelvin (b) Frank Parker (d) September 1949

Boogie At Midnight

The Griffin Brothers Orchestra: Wilbur Harden (tp) Jimmy Griffin (tb) Johnny Fontenette (ts) Harry Porter (bar) Edward "Buddy" Griffin (p) Willie Gaddy (g) Ike Isaacs (b) Emmett "Nab" Shields (d) April 1950

Hard Luck Blues
Sweet Peach

Wilbur Harden (tp) Johnny Fontenette (ts) Leroy Rankins (bar) Edward Santineo (p) Edgar Blanchard (g) Ike Isaacs (b) Emmett "Nab" Shields (d) June 1950

Love Don’t Love Nobody

George Jenkins replaces Nab Shields (d), rest the same, June 1950

Train Time Blues
Bar Room Blues
‘Long About Sundown
Beautician Blues
Double Crossin’ Woman

The Tiny Bradshaw Orchestra: Leslie Ayers (tp) Red Prysock (ts) Orrington Hall (ts,bar) James Robinson (p) Edgar Blanchard (g) Clarence Mack (b) Calvin Shields (d) January 1951

Wrong Woman Blues
Good Rockin’ Man
I’ve Got The Last Laugh Now
Big Town

Teddy Riley (tp) Johnny Fontenette (ts) Alexander Nelson (bar) Charlie Nelson (p) Peter "Chuck" Badie (b) Wilbert Smith (d) September 1951

Lonesome Lover

Teddy Riley (tp) Victor Thomas, Sammy Parker (ts) Frank Campbell (bar) Jimmy Williams (p) Jimmy Davis (g) Tommy Shelvin (b) Ray Miller (d) December 1952

Travelin’ Man
Letter From Home

Joe Bridgewater (tp) Sammy Parker, Victor Thomas (ts) Jimmy C. Harris (p) Jimmy Davis (g) Clarence Jones (b) Albert "June" Gardner (d) December 1953

Trouble At Midnight

Philip Scott (ts) James H. Thomas (p) Edgar Blanchard (g) Tommy Shelvin (b) Frank Parker (d) May 1954

Ain’t It A Shame
Ain’t No Rockin’ No More
Queen Of Diamonds

Melvin Lastie (tp) Sammy Parker, Johnny Fontenette (ts) Salvador Doucette (p) Jimmy Davis (g) Tommy Shelvin (b) Placide Adams (d) September 1954

Worried Life Blues

Johnny Griffin, Ray Felder (ts) unknown (bar) Jon Thomas (p) John Faire, Fred Jordan (g) Edwyn Conley (b) Ron McCurdy (d) May 1959

Ain’t Got No Blues Today

Buying Roy.

His peak years are well covered by 3 Chronological Roy Brown CDs on the Classics label:





Ace has two good CDs of Roy’s sides. "Good Rockin' Brown" is an in-depth look at his earliest sides and is mastered from the original acetates:



"Mighty Mighty Man!" covers his later King material after his hit making days had passed. There’s plenty of good stuff on it!




Sources: Bruyninckx Discography, sleevenotes to the Route 66 LPs "Good Rocking Tonight", "Laughing But Crying", "I Feel That Young Man's Rhythm." Wikipedia article on Roy Brown.