Lionel Hampton & His Orchestra - Leapin' With Lionel

I posted "Leapin' With Lionel" on the very earliest incarnation of Be Bop Wino, but an exploding hard drive, the end of upload sites like rapidshare and megaupload, and the takedown of Be Bop Wino Version 1 caused this fine LP to be absent from the blog for about 7 years. It would be impossible to have a vintage R&B blog without Hamp, so here he is again after a long exile. I've re-ripped the LP and re-scanned the cover and labels, so even if you downloaded the tracks first time round, it would still be worth your while to download the new, improved version.

And what an LP this is! It's loaded with tracks from the 1940's when Hamp's big band was a major player in the rise of R&B. A look at the players who passed through the sax section is like reading a who's who of wild R&B honkers with a goodly selection of red hot jazzers thrown into the mix: Dexter Gordon, Illinois Jacquet, Jack McVea, Arnett Cobb, Al Sears, Johnny Griffin, Jackie Kelso, Morris Lane, Johnny Sparrow, Johnny Board, Gene Morris, and Curtis Lowe. Also aboard are Joe Morris, Irving Ashby, Joe Comfort, Charles Mingus, Albert Ammons and Wes Montgomery. If that doesn't float yer boat then I don't know what will.

Full band line ups are detailed at the end of Fred Dellar's sleevenotes. The sides were recorded between May 1942 and December 1949. The selection kicks off with the band's first big hit "Flying Home" which Hamp had written with Benny Goodman (and Charlie Christian?) when he was with Goodman's sextet in 1939. The 1942 version features the famous sax solo by Illinois Jacquet which is often credited with kicking off the trend towards the honking and screeching tenor sax playing which became such an integral part of the R&B of the 1940s and 50s. I tend to go with his maniac performance on "Blues" in the first Jazz At The Philharmonic concert a couple of years later as being the real birth of honk.

There are more big hits in the tracklist including "Hamp's Boogie Woogie", Beulah's Boogie", "Hey! Ba-Ba-Re-Bop" and "Rag Mop." See accompanying notes below for what was hot and what was not.

The biggest seller was "Hey! Ba-Ba-Re-Bop." For an alternative account of the origins of this number see the post on Big Jim Wynn.  Let's just say that "Be Baba Leba" by Helen Humes had been recorded and hit the charts months before Hamp and Curley Hamner came up with the very similar "Hey! Ba-Ba-Re-Bop." Just as an aside Tina Dixon claimed the copyright on "Be Baba Leba" as she had been performing it live before Helen Humes recorded it. In January 1946 Dixon's agent sold the copyright to Charlie Barnet, just as Hamp's "Hey! Ba-Ba-Ba-Re-Bop" came out. I have no idea what Barnet's thoughts were as the Hamp opus eclipsed all other versions. That's showbiz.

Side 1:
1 - Flying Home No 1
2 - Flying Home No 2
3 - Hamp's Boogie-Woogie, No 1
4 - Tempo's Boogie
5 - Beulah's Boogie
6 - Slide, Hamp, Slide
7 - Hey! Ba-Ba-Re-Bop
8 - Rockin' In Rhythm Parts 1 and 2

Side 2:
1 - Air Mail Special Parts 1 and 2
2 - Cobb's Idea
3 - Hamp's Walkin' Boogie
4 - Red Top
5 - Midnight Sun
6 - Hamp's Boogie-Woogie No 2
7 - Beulah's Sister's Boogie
8 - Rag Mop

Download from here:

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Here are the facts, Jack, on every track!

Side 1
1 - Flying Home No 1 - recorded May 26th 1942. Released on Decca 18394
Number 3 on Billboard's Harlem Hit Parade, May 15th, 1943.

2 - Flying Home No 2 - recorded March 2nd 1944. Released on Decca 23639
Billboard, September 21st 1946: "... band packs a powerhouse into the side, with Alvin (sic) Cobb's tenor sax solo keeping pace with the standard set by Illinois Jacquet in the original cutting. No mistaking the Hampton jump designs here, and spinning is on the terrific side for the jump set."

3 - Hamp's Boogie-Woogie, No 1 - recorded March 2nd 1944. Released on Decca 18613, July 1944.
Number 1 in the Harlem Hit Parade, September 9th, 1944. Louis Jordan's "G.I. Jive" was number 2.

4 - Tempo's Boogie - recorded October 16th 1944. Released on Decca 18910, July 1946.
Billboard tip, August 3rd, 1946 - "With beaucoup vibe work, phono fans will take some to 'Tempo's Boogie.'"

5 - Beulah's Boogie - recorded May 21st 1945. Released on Decca 18719
Billboard November 8th 1945: "unlike most originals this Hampton by Hampton is really swell stuff. It's something to write home about in ledger black ink. Beulah and Hampton are both okay, even in conservative spots." Number 2 on Billboard's Most Played Juke Box Race Records chart, December 22nd, 1945. Joe Liggins' "The Honeydripper" was number 1. Number 3 on February 9th, 1946. Louis Jordan's "Buzz Me" was number 1.

6 - Slide, Hamp, Slide
7 - Hey! Ba-Ba-Re-Bop - tracks 6 and 7 recorded December 1st 1945. Both issued on Decca 18754, January 1946. "Hey! Ba-Ba-Re-Bop" became a huge seller, reaching number 9 in the pop charts and dominating the race charts for over half a year. Billboard review of "Hey! Ba-Ba-Re-Bop" on February 9th, 1946:
"Chalk this one up as no.1 played (best seller) race disk right now, and it should also prove big with Hamp's fans in any kind of nabe in retail sales, or any location. Tune, penned by Hamp and Curly Hamner, is a jive natch, and the Hampton band, plus a vocal by the maestro, sell it right up to the hilt. You'll be hearing plenty of cats yelling 'Hey! Ba-Ba-Re-Bop.'"

8 - Rockin' In Rhythm Parts 1 and 2 - recorded January 29th, 1946. Released on Decca 24415, April 1948. Billboard review, May 8th 1948: "Hamp takes the Ellington oldie over the coals for two sides, with Part 1 stacking up as the juke bet with its Hamp and wild sax solos, raucous band and heavy handed rhythm."

Side 2
1 - Air Mail Special Parts 1 and 2 - recorded January 31st, 1946. Released on Decca 18880, June 1946. Billboard, June 29th, 1946: "It's a field day for the hot horns in the Hampton household. But instead of re-bopy, it's a speed jam special for Benny Goodman's familiar 'Air Mail Special' stomper. Instrumental stars play it hot and heavy for both sides with the maestro's own vibe hammerings stealing the solo spotlight. The B-side, with beaucoup vibes and hot tenoring, provides more steam for the phono spin."

2 - Cobb's Idea - recorded January 31st, 1946. Unissued on Decca. Arnett Cobb recorded a different version with a small group for Apollo Records on May 13th, 1947, which was released on Apollo 772, September 1947.

3 - Hamp's Walkin' Boogie - recorded September 17th, 1946. Released on Decca 23839, along with "Ridin' On The L & N" and released February 1947.

4 - Red Top - recorded November 7th, 1947. Released on Decca 24281 in January 1948. Billboard, 17th January 1948:"Tastiest, cleanest Hamp instrumental in some time. Good riff, solos, cleffing." B-side was "Giddy-Up."

5 - Midnight Sun - recorded November 10th, 1947. Released on Decca 24429  and also as part of the May 1948 Decca album "New Movements In Be-Bop" which consisted of 4 Hampton 78 rpm singles.

6 - Hamp's Boogie-Woogie No 2 - recorded January 28th, 1949. Released on Decca 24607 with "New Central Avenue Breakdown" on other side.

7 - Beulah's Sister's Boogie - recorded January 28th, 1949. Released on Decca 24699 in August 1949. Other side was "Wee Albert." Both sides feature Albert Ammons on piano.

8 - Rag Mop - recorded December 29, 1949. Released on Decca 24855 in January 1950. Other side was "For You My Love." Billboard February 15th, 1950 - disc is number 12 in the best selling Rhythm and Blues chart and number 5 in most juke box plays for R&B records. On May 20th disk is still in juke box chart at number 4.

Recommended purchase:

Properbox 12 - "The Lionel Hampton Story". A 4 CD set covering his small group sides recorded for Victor 1937 - 1940 (CD1) plus 3 CDs covering the Decca big band sides from 1942 - 1949. Includes terrific booklet by Joop Visser. Might be getting hard to get, so hurry, hurry!

Lowdown Baby – Joe Morris And His Orchestra

Side A
1. Lowdown Baby
2. Jump Everybody Jump
3. You're My Darling
4. Ghost Train
5. I Hope You're Satisfied
6. Pack Up All Your Rags
7. Midnight Grinder
8. Can't Stop My Crying

Side B

1. Bald Head Woman
2. Love Fever Blues
3. That's What Makes My Baby Fat
4. I Had A Notion
5. Who's Gonna Cry For Me
6. Take Your Time
7. Crazy Mixed Up World
8. Going Going Gone

We continue our jump season with the second Joe Morris LP issued by Jonas Bernholm, this time on his Jukebox Lil label. This collection of sides recorded between 1949 and 1957 looks at the “second stage” of his band, when bop influences were abandoned in favour of out and out R&B. For a while the band was billed as the “Joe Morris Blues Cavalcade” and featured a number of vocalists, including Laurie Tate whose “Any Time, Any Place, Any Where” was a huge hit in 1950/51, Billy Mitchell who later became a member of The Clovers, and a certain Fay Scruggs who changed her name to Faye Adams and went on to have to big hits on Herald with “Shake A Hand” and “I’ll Be True To You” with Joe’s band backing her on both of those smashes.

This LP has a nice mix of sides by the various vocalists as well as a couple of strong instrumentals. My favourite tracks are the atmospheric “Ghost Train”, the rousing “Jump Everybody Jump” and the amusing “That’s What Makes My Baby Fat” sung by Joe and the future Faye Adams. It’s a response to all those R&B songs about large women as Miss Adams upbraids Joe about his increasing rotundity.

Ripped from vinyl at 320 kbps. No password. Link:

Lowdown Baby (Mega)

 1. Lowdown Baby (vocal – Joe Morris) Decca 48126

 2. Jump Everybody Jump (vocal - Joe Morris) Atlantic 931

 3. You're My Darling (vocal – Laurie Tate) Atlantic 942

 4. Ghost Train (instrumental) Atlantic 974

 5. I Hope You're Satisfied (vocal – Laurie Tate) Atlantic 942

 6. Pack Up All Your Rags (vocal – Billy Mitchell) Atlantic 933

 7. Midnight Grinder (instrumental) Atlantic 940

 8. Can't Stop My Crying (vocal – Laurie Tate) Atlantic 965

 9. Bald Head Woman (vocal – Billy Mitchell) Atlantic 974

10. Love Fever Blues (vocal – Jimmy Lewis) Atlantic 940

11. That's What Makes My Baby Fat (vocal – Joe Morris & Faye Adams) Atlantic 985

12. I Had A Notion (vocal – Al Savage) Herald 417

13. Who's Gonna Cry For Me (vocal – Mr Stringbean) Herald 418

14. Take Your Time (vocal – Al Savage) Herald 430

15. Crazy Mixed Up World (vocal – Faye Adams) Herald 429

16. Going Going Gone (vocal – Louis Madison) Atlantic 1160

Buying Joe:

This 26 track CD came out on Acrobat in 2003. It features lots of the early jazzy sides with Johnny Griffin plus some of the later R&B material. Still available on Amazon.

You can usually rely on the Classics label from France to come up with the goods and sure enough they’ve two Joe Morris discs. Both are available through Amazon.

And lastly Johnny Griffin’s debut album for Blue Note is a monster. Get hip and get it!

Fly Mister Fly – Joe Morris & His Orchestra

Side A

1. Fly Mister Fly
2. Wilma's Idea
3. Joe's Boogie
4. Out Of The Night
5. Lowe Groovin'
6. Jump With Me
7. Mad Moon
8. The Spider

Side B

1. Bottletop
2. Wow!
3. Weasel Walk
4. Boogie-Woogie March
5. Chuck-A-Boogie
6. Beans And Cornbread
7. Portia's Boogie
8. Broken Hearted Blues

Although tenor sax man Johnny Griffin is the headliner on the front cover of this 1985 Saxophonograph LP, these sides were recorded by and originally credited to Joe Morris And His Orchestra. Band leader, trumpeter and occasional vocalist Joe Morris and tenor sax legend Johnny Griffin were both former members of the Lionel Hampton big band. Around 1946 or 1947 they formed a small group which showed an inclination to go down the bop path rather than the jump blues / R&B route.

In late 1946 /early 1947 they recorded four boppish sides for Manor. Towards the end of 1947 they started recording for the new Atlantic label, quickly adopting a more R&B oriented approach to their recordings. At this stage of its development, Atlantic’s leading acts were two small groups with deep jazz roots – the Morris outfit and the Tiny Grimes band. Both groups soon started to achieve respectable record sales by recording in a swinging popular style, and both featured big toned abrasive tenor sax players – Johnny Griffin and Red Prysock respectively.

This fine LP of sides recorded between 1946/7 and 1949 shows the process of the move by the Joe Morris band from jazz into solid R&B / jump territory, particularly in the contrast between the Manor sides and pounding instrumentals such as “Wow!” and “Weasel Walk” and the cover version of “Beans And Cornbread.” Missing from this collection is the band’s powerful version of “The Applejack” which is certainly well worth catching.

Griffin left the band around 1950, moving on to a very successful jazz career. The Joe Morris band became the “Joe Morris Blues Cavalcade”, an R&B revue show similar to that of Johnny Otis, which enjoyed a fair amount of success in the R&B field. But I am getting ahead of myself, for the Blues Cavalcade and its vocalists such as Laurie Tate and Faye Adams will be subject of our next post.

In the meantime enjoy an LP which sits squarely in the Be Bop Wino zone, where jazz, jump and R&B meet in a rousing mix.

Ripped from vinyl at 320 kbps. No password

Download from here:

 http://www58.zippyshare.com/v/84485505/file.html

Fly Mister Fly – Manor 1136

Wilma's Idea – Manor 1157
Joe's Boogie – Manor 1157
Out Of The Night – Manor 1136
Lowe Groovin' – Atlantic 855
Jump With Me – Atlantic 855
Mad Moon – Atlantic 859
The Spider – Atlantic 859
Bottletop – Atlantic 878
Wow! - Atlantic 870
Weasel Walk - Atlantic 870
Boogie-Woogie March - Atlantic 855
Chuck-A-Boogie - Atlantic 855
Beans And Cornbread - Atlantic 878
Portia's Boogie – Decca 48123
Broken Hearted Blues – Decca 48126