Freddie Mitchell - Rock'N Roll

During the early 1940s tenor saxman Freddie Mitchell played in the bands of Benny Carter, Fletcher Henderson, Louis Armstrong and Hot Lips Page. In 1949 he formed his own septet and joined the newly formed New York based Derby Records where he became its biggest selling recording artist as well as musical director and house-band leader. “Slider” (track 4) was the first release on Derby Records where Mitchell stayed until 1952 when he left to join Mercury Records.

Mitchell’s Derby output consisted of original compositions and revivals of swing standards. Many of his early Derby recordings feature prominent piano by either Joe Black or Art Sims, but Freddie’s full toned tenor sax sound became more dominant in his recordings during the early 1950s. “Doby’s Boogie,” a tribute to black baseball player Larry Doby, was his biggest chart hit but unfortunately it isn’t on this collection. In addition to records released under his own name, Freddie’s band was present on many other Derby recordings, particularly on sides by chantoozies Bette McLaurin and Sarah Dean. The band also featured on a series of instrumentals credited to piano player Joe Black and his Boogie Woogie Boys. Freddie’s stay at Mercury was short lived and his subsequent releases on a variety of labels (Gem, Brunswick / Coral, Rock’n Roll and finally ABC Paramount) were somewhat intermittent.

After Freddie’s departure, Derby changed direction from a label which specialized in take-no-prisoners howlin’ R&B to a would-be pop diskery. The result was that the label filed for bankruptcy in 1954. Mitchell’s Derby masters were sold off and appeared on albums released by RCA subsidiary “X” and the budget Halo and Allegro labels. Freddie’s recordings also reappeared under a pseudonym, but that is something we shall be looking at in the next couple of posts.

In the meantime Freddie became a successful session musician on the New York recording scene, especially for the Atlantic label. He hooked up with Alan Freed and joined the sax section of his Big Rock and Roll band where he played alongside fellow R&B honkers such as Sam “The Man” Taylor and Big Al Sears. Mitchell appeared in the 1956 cheapo Freed exploitation movie “Rock Rock Rock” blowing hot tenor sax on his “Moondog Boogie” which was retitled “Rock and Roll Boogie for the film. Freddie gave up on his musical career in the 1960s, took up taxi driving and passed away in 1995.





This 1988 vinyl album from the Official label features a selection of Mitchell’s Derby sides (tracks 1 – 10) plus a couple of Mercury sides, a couple of sides from the Rock’n Roll label and a track from ABC Paramount. In my opinion some of the earlier Derby sides aren’t nearly as good as his output from late 1951 onwards. The last 8 tracks (the original side 2 of the LP) are great rousing R&B / rock ‘n’ roll. By the way, Freddie’s surname is lacking an “L” on the front and back of the record sleeve. It’s not a scanning mistake on my part!

Ripped from vinyl at 320 kbps.

Download from here:

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1. Jersey Bounce
2. Fish Market Boogie
3. Till Tom Boogie
4. Slider
5. I Got Your Boogie
6. The Derby
7. Wedding March
8. String Of Pearls
9. Hot Ice
10. Moon Dog Boogie
11. Delicado
12. Later Gator
13. I'm Goin' Home
14. Preachin'
15. 3 Strikes You're Out
16. Freddie's New Calypso

The Best Of The Spiders Volume 1

Here’s yet another LP which has gathered dust on the shelves of my vinyl vault for the last few decades. And now it’s resurrected in all its scratched glory thanks to the inspiration of the Spiders’ Imperial LP which Joan sent in for posting. This is the perfect follow up to that post – there isn’t any duplication of tracks, although there is an uncanny similarity between certain numbers as The Spiders weren’t slow to rework their own songs.

Recorded for Imperial between April 1954 and November 1956, these sides are another prime slab of New Orleans R&B. My favourite track in this collection is “Lost And Bewildered”, a magnificent bluesy number recorded in January 1954 with Chuck Carbo on lead vocal accompanied by great smoky tenor sax. “You Played The Part”, “A1 In My Heart” and “Bells In My Heart” are other standouts, but there aren’t any weak tracks here at all.

This LP was originally released on the K.C. label in 1985. Some surface noise audible.

Ripped from vinyl at 320 kbps.

Download from here:

http://www103.zippyshare.com/v/jgrUOGlJ/file.html


1. Don't Pity Me
2. How I Feel
3. Bells In My Heart
4. For A Thrill
5. Lost And Bewildered
6. The Real Thing
7. Honey Bee
8. That's The Way To Win My Heart
9. Goodbye
10. I'll Stop Crying
11. Tears Began To Flow
12. Dear Mary
13. A1 In My Heart
14. You Played The Part

The Spiders - I Didn't Want To Do It (Imperial LP 9140)

Thanks to Joan for this post which appeared on the old Be Bop Wino blog back in April 2009. This Imperial LP was released in 1961, although the tracks date from 1954 – 1955. Big R&B hits such as “Witchcraft” (recorded by Elvis), “I Didn’t Want To Do It”, “You’re The One” and “I’m Slippin’ In” are included as well as several unreleased tracks.

The Spiders were the top New Orleans vocal group in the 1950’s. Originally a gospel group called The Zion City Harmonizers and then The Delta Southernaires, they became R&B group The Spiders at the instigation of recording studio owner Cosimo Matassa. They signed for Imperial in late 1953 and cut their first recording session at Matassa’s, with Dave Bartholomew producing, on December 11th. Their first release in January 1954, “I Didn’t Want To Do It” / “You’re The One” was a double-sided hit with both tunes reaching the R&B top ten.

The personnel included brothers Hayward “Chuck” Carbo on second tenor and lead, and Leonard “Chick” Carbo on bass and alternate lead. The group started to fall apart in 1956 when Chick Carbo went solo on Atlantic Records and the end came in 1957 when Chuck started a solo career on Imperial.

Reconstituted from various vinyl sources and ripped at 128 kbps

Thanks Joan, for furthering my R&B vocal group education with these fine sides.

Download from here:

http://www8.zippyshare.com/v/oVHoDWSq/file.html


1. I Didn't Want To Do It
2. You're The One
3. I'm Slippin' In
4. Mmm Mmm Baby
5. Walkin' Around In Circles
6. I'm Searching
7. That's Enough
8. Sukey, Sukey, Sukey
9. Am I The One
10. Don't Knock
11. (True) You Don't Love Me
12. Witchcraft

Charlie Gillett

News in that Charlie Gillett, deejay, record label owner, and of course writer, has died. While still a schoolboy I borrowed the first edition of Charlie's history of rock and roll "The Sound of the City" from the local public library. The book was probably the first to properly examine the deep roots of rock and roll and give due place to the pioneers of rhythm and blues. It was thanks to Charlie that I first came across names like Wynonie Harris, Roy Milton and Joe Liggins. Without "The Sound of the City" I may never have been moved to start digging around for recordings of these R&B performers.

Charlie's record company Oval issued one of the great compilation LPs - "Another Saturday Night" - back in 1974. It was a collection of cajun, swamp pop and zydeco sides from Jin and Swallow, and decades after buying it, I still find myself humming some of its brilliant tracks like Belton Richard's "Un Autre Soir d'Ennui" and "Cajun Fugitive", Vin Bruce's "Jole Blon" and of course Johnnie Allen's classic version of "The Promised Land."

I'm gonna put the disc on the turntable, play the first track, (Tommy McLain's version of "Before I Grow Too Old") and raise a glass to the memory of Charlie.

Sil Austin & Red Prysock - Battle Royal! (MG 20434)

Man oh man! This is the holy grail of honk. Sil Austin and Red Prysock, two of the all time great R&B tenor sax men, square off for a “battle royal” on this 1959 Mercury LP.

Thanks to sax fan Jeff who sent in these rips from vinyl, plus label and cover scans. One of the best things about music blogging is that fellow enthusiasts get in touch and send in contributions. This is an LP I’ve wanted to hear for some time now and it’s all due to Jeff that not only do I finally have the chance to hear these tracks, but so do you oh fellow boppers de wino.

Here’s some of Jeff’s thoughts on hearing this album -

“It is one of the most incredible sax records I have ever heard. A real joy, and I am so happy I saw it. The two of them were at the top of their form, and go at it like there is no tomorrow. It's actually just an unbelievable experience.

Incidentally, the record is heavily jazz with an R&B cornerstone. Both of them seemed like they were still into the 50s R&B but had recognized the death of the genre and were shifting into real jazz.

But then, of course, Sil went over to the ballad syndrome, and took a complete about face with his career. He was great in either genre, but what an absolute difference. I do feel we lost something in the transition. I'd love to know if he consciously went where the money was, or decided himself that R&B was dead, or lost his enthusiasm for uptempo honking.

And lastly incidentally, in case you aren't up on modern sax people, Sax Gordon has made a couple of CDs and truly is a throwback to the days of both Austin and Prysock. If you haven't heard him you should.

I sure hope you enjoy this one as much as I do. It just builds and builds and builds.

It is truly a shame that these two didn't get more popular acclaim. They are certainly way up there with the R&B afficionados, but they stand out so far from many of the other R&B sax men that more fame would have been warranted and well-deserved. This record is a gem.”

Recorded in New York, 1959. A stereo version, SR 60106, was also released on Mercury. A two part version of “Kenny’s Blues” was issued on a 45 rpm disc, Mercury 71683x45.

“No 1 Sil” and “Take The A Train” are extended frantic tenor sax duels. The shorter and slower “Kenny’s Blues” showcases the guitar of Kenny Burrell as well as the saxes of Austin and Prysock.

Personnel: Red Prysock, Sil Austin (ts) Dave Martin (p) Kenny Burrell, Everett Barksdale (g) Milt Hinton (b) Panama Francis (d)

Ripped from vinyl at 320 kbps.

Download from here:

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1. No.1 Sil
2. Kenny's Blues
3. Take The 'A' Train

Thanks for this post, Jeff.

Ruth Brown - Rockin' With Ruth

Here’s a great 1984 Charly LP of 16 of Ruth Brown’s best 1950’s tracks recorded for Atlantic. Nicknamed “Miss Rhythm”, Ruth Brown was the top selling female singer in 1950’s R&B, just beating Dinah Washington in volume of record sales, although over the entire golden age of R&B from the mid ‘40’s to the early ‘60’s, it’s Dinah who shifted more platters.

In fact most of Ruth’s R&B sales were in the years 1951 – 1954 when along with The Clovers and Big Joe Turner she helped transform Atlantic Records from a not very successful indie label into the biggest selling R&B diskery in the business. Such was the importance of Ruth’s role in the label's success, Atlantic was frequently referred to as “The House That Ruth Built.” In the late 1950’s she had two big pop hits – “Lucky Lips” (number 25 in 1957) and “This Little Girl’s Gone Rockin’” (number 24 in 1958).

Miss Brown’s Atlantic recording career kicked off in 1949 with “So Long” which reached number 6 in the R&B charts. This was only the second hit record for Atlantic – their only previous hit being Stick McGhee’s “Drinkin’ Wine Spo-Dee O-Dee” earlier in the same year. This LP picks up on Ruth’s career in late 1950 with “Teardrops From My Eyes” which was her first number one hit. “5-10-15 Hours” and “Mama He Treats Your Daughter Mean” (also number 23 in the pop chart) were two huge R&B hits in 1952 and 1953 respectively.

These sides and others like “Daddy Daddy”, “Wild Wild Young Men”, “Love Contest” and the impossibly frantic “Hello Little Boy” are superb examples of the Big Beat with backing provided by blasting bands led by Willis “Gator Tail” Jackson (Ruth’s husband) and Jesse Stone. It’s rock and roll before it got invented by Bill Haley or Elvis or Pat Boone or whoever. Ruth left Atlantic in 1961 and had a brief spell at Phillips in 1962 followed by 10 years of very intermittent musical activity. The 1970’s and 80’s brought a revival in Ruth’s career as deejay, film actress (Hairspray!), stage actress (culminating in a Tony award for “Black and Blue”) and prime mover behind the establishment of The Rhythm and Blues Foundation. She died in November 2006.

You can also download Joan’s contribution of the 1957 Atlantic LP “Rock & Roll”. There is quite a bit of duplication with “Rockin’ With Ruth” but tracks such as “So Long” and “Lucky Lips” are included in the vintage album. Also included in Joan's post is a folder of label shots, so if you haven't got that one already - what are ya waitin' for? Go git it!

Rockin’ With Ruth was ripped at 320 kbps from vinyl.

Download links:

Rockin' With Ruth (Mega)

Rockin' With Ruth (Zippy)

1. Teardrops From My Eyes
2. 5-10-15 Hours
3. Daddy Daddy
4. Mama, He Treats Your Daughter Mean
5. Wild Wild Young Men
6. Love Contest
7. Hello Little Boy
8. Oh, What A Dream
9. Somebody Touched Me
10. Bye Bye Young Men
11. I Can See Everybody's Baby
12. As Long As I'm Moving
13. This Little Girl's Gone Rockin'
14. I Can't Hear A Word You Say
15. Papa Daddy
16. Don't Deceive Me

Recommended purchase from the Snapper label "Complete Rock 'n' Roll" series - "Wild Wild Young Men" is a 24 track collection of the cream of Ruth's Atlantic sides. Available at an amazing bargain price.

Be Bop Wino Wails!

It’s about time we had another Be Bop Wino comp and so here’s a nifty little eighteen track collection of late 1940s’ and early 50’s R&B. There may be a modest number of tracks but I like to think that this collection displays a certain robustness which demands attention. All tracks are sourced from vinyl, mainly from LPs which were on the original Be Bop Wino blog but which have not yet reappeared on the new blog. Some might never reappear so this could be your only chance to grab some of these tracks if you missed them the first time around.

As for the music, as you would expect there’s jump, boogie, honkin’ saxes and blues bawlin’ aplenty, but there’s also a dash of jazz and an outstanding tenor sax ballad performance. This being Be Bop Wino, the tenor sax predominates. Hal Singer, Gene Ammons, Big Jay McNeely and James Von Streeter are the credited saxmen, but let us also pause and give a thought to the tenor players on some of the other tracks: Maxwell Davis appears on the Pete Johnson and Amos Milburn tracks, Red Prysock squares off against the guitar of Tiny Grimes, the Lucky Millinder line-up includes Ike Quebec and Paul Quinichette in the horn section which blows mightily on a familiar riff, the late great Johnny Griffin is on the stomping Joe Morris instrumental “The Applejack”, Johnny Fontenette is the sax blaster in Roy Brown’s Mighty, Mighty Men and Ben Webster turns in a marvellous interpretation of “Stardust” in the Johnny Otis Orchestra’s Mercury recording.

All tracks ripped from vinyl at 320 kbps.

Download from here:

http://www68.zippyshare.com/v/FdWmlDjc/file.html

Tracks:

1. Midnight Jump - Hal Singer – Savoy (unreleased), February 1949

2. Rockin' - Bobby Nunn & The Robins – Modern 807, 1951

3. Rocket Boogie "88" Part 1 - Pete Johnson & His Orchestra – Downbeat / SwingTime 169, April 1949

4. Skid Row Boogie - Pete Johnson & His Orchestra – Downbeat / SwingTime 168, April 1949

5. Bye Bye Boogie - Amos Milburn – Aladdin 206, October 1947

6. Blue Roller - Gene Ammons – Prestige 911, February 1955

7. Cadillac Baby - Roy Brown – DeLuxe 3308, April 1950

8. What's Mine Is Mine - The Ray-O-Vacs – Decca 48234, January 1950

9. Stardust - Johnny Otis & His Orchestra – Mercury 8263, December 1951

10. Hot In Harlem - Tiny Grimes – Atlantic 869, May 1948

11. Careless Love - Big Joe Turner –National (unreleased), November 1947

12. The Applejack - Joe Morris – Atlantic 866, September 1948

13. Mumblin' Blues - Jack McVea & His All Stars – Exclusive 270, December 1947

14. Slow Blues - James Von Streeter – Savoy (unreleased), July 1949

15. D'Natural Blues - Lucky Millinder & His Orchestra – Victor 20-3351, January 1949

16. Deceivin' Blues - Johnny Otis & His Orchestra (vocal - Little Esther & Mel Walker) – Savoy 759, June 1950

17. Two Guitar Boogie - Rene Hall – Victor 20/47-5407, March 1953

18. Wild Wig - Big Jay McNeely – Savoy 682, November 1948

The Best Of New Orleans R & B (Chess Masters)

This was one of the first LPs I ever converted to mp3 and then I uploaded it to Rock Hall. I never got round to posting it on the original Be Bop Wino blog and anyway other blogs posted the album around that time. So having let a decent amount of time pass since I last saw this album on a blog, I’ve now re-uploaded my original rips along with new cover scans.

Chess came to the New Orleans music scene rather late in the day. Imperial and Specialty had already been there for a few years before Chess started issuing New Orleans recordings in 1953, kicking off with James “Sugarboy” Crawford’s “I Don’t Know What I’ll Do”. His follow up record “Jockomo” was a moderate local hit but has since become a classic of New Orleans R&B, being covered later as “Iko Iko” by the Dixie Cups and Doctor John.

As for this compilation, it’s a mixture of classics (“Mardi Gras Mambo”, “Flat Foot Sam”, “Country Boy” and “This Should Go on Forever”), and a surprising number of sides that weren’t issued at the time of recording and only appeared years later in compilation LPs. As with the Bobby Charles Chess LP I posted a few weeks back, the influence of Paul Gayten permeates this collection. He started recording for Chess in 1954 and in 1956 was appointed the label’s A&R man and general factotum in New Orleans. Many of these sides were produced by Paul Gayten and his band provided the backing at the Cosimo Matassa studio.

There are a couple of points to note. Track 9, “What Can I Do”, was wrongly attributed to Charles “Hungry” Williams who was the drummer in Gayten’s band around 1956 to 1957. The vocal on the track was actually by Robert Green who had been drummer in the Gayten band in the late 1940s. The Eddie Bo track “Walk That Walk” which was unreleased in the 1950s turned up a few years back in a TV commercial for Fiat Spirito de Punto. I guess that proves that there is at least one subversive hipster lurking in the world of advertising.

Ripped from vinyl at 224 kbps. Password = greaseyspoon

Download from here:

http://rapidshare.com/files/354423120/The_Best_Of_New_Orleans_Rhythm___Blues.rar

Or here:

http://www.megaupload.com/?d=X85OCSR3

1. Loud Mouth Annie - Myles & Dupont (Argo 5326 – 1959)
2. Rhythmatic Rhythm - Charles "Hungry" Williams (unissued 1958)
3. Jockomo - James "Sugarboy" Crawford (Checker 787 – 1954 as Sugar Boy and his Cane Cutters)

4. Mardi Gras Mambo - The Hawketts (Chess 1591 – 1955)
5. Country Boy - Clarence "Frogman" Henry (Argo 5266 – 1957)
6. Flat Foot Sam - T.V. Slim (Checker 870 – 1957)
7. Ding Dong Darling - Allen Brooks (unissued 1958)
8. Lawdy Mama - Edgar Blanchard (unissued 1958)
9. What Can I Do - Charles "Hungry" Williams (actually Robert Green – unissued 1957)
10. The Joke - Reggie Hall (Chess 1816 – 1962)
11. Walk That Walk - Eddie Bo (unissued 1957)
12. I Cried All The Way Home - Charles "Hungry" Williams (unissued 1958)
13. Foolish Woman - Allen Brooks (unissued 1958)
14. Oh Oh - Eddie Bo (Chess 1698 – 1958)
15. This Should Go On Forever - Rod Bernard (Argo 5327 – 1959)
16. Needing Your Love - Bobby Blanquet (Paul Gayten unissued 1955)
17. Baby Please - Clifton Chenier (unissued 1956)

Smiley Lewis - Caldonia's Party

This LP of early (1950-54) Smiley Lewis tracks was issued on the K.C. label in 1984. Judging by the rough sound quality on some of the tracks it was probably a bootleg mastered from 45s. I posted “Caldonia’s Party” on the original Be Bop Wino blog back in May 2009 and prior to reposting I’ve been giving it another listen. It’s a blast. A fantastic sequence of R&B pounders with shrieking sax solos by the likes of Lee Allen and Herb Hardesty. There are only two of Smiley’s hits in this selection (“The Bells Are Ringing” and “Blue Monday”) but there just ain’t a weak track on the LP.

On many of these tracks Smiley sounds remarkably like Big Joe Turner. It’s rough, raw stuff with lots of blistering rockers included, especially “Dirty People”, “Ain’t Gonna Do It”, “Big Mamou”, “Playgirl” and “Caldonia’s Party”. Sure, there are plenty of crackles and pops on this old slice of vinyl, but those of you who like your R&B rowdy and raucous will not be deterred by that.

Born Overton Amos Lemons on July 5th, 1913, near Lake Charles, Louisiana, Smiley moved to New Orleans in 1931 where he boarded with a family whose surname (Lewis) he adopted, or so the story goes. He spent the 1930’s working as a guitarist and vocalist in jazz bands performing in and around New Orleans and in the late 1940’s, billed as Smiling Lewis, cut his first records for De Luxe Records. In 1950 he began a decade long recording stint with Lew Chudd’s Imperial Records.

Smiley had good selling R&B hits with “Tee Nah Nah” (1950) and “The Bells Are Ringing” (1952). “Blue Monday”, written by Dave Bartholomew, was another good seller in 1954, but became a much bigger hit when covered by Fats Domino two years later. In mid 1955 Smiley had his biggest hit by far with “I Hear You Knocking”, reaching number two in the R&B chart. Unfortunately for Smiley, a cover version by Gale Storm cornered the pop sales, taking the record to number two in the Billboard pop chart.

Recorded in late 1955, “One Night” was a number eleven R&B hit for Smiley in early 1956. Elvis released a cleaned up version two years later, reaching number four in the pop charts and number ten in the R&B charts. Smiley’s “One Night Of Sin” (with all that that implies) had somehow become “One Night With You” and that was the way to pop success back then. However, many years later another version by Elvis which was much closer to the Smiley original did surface on some compilations.

As the 1950’s wore on, Smiley’s record sales fell away although there was the occasional good rocker like “Rootin’ and Tootin’”. His recording contract with Imperial was terminated in 1960. He had a few more releases on Okeh and Loma but died from cancer in 1966.

Smiley’s chart career may not have brought him the success his talent deserved, but he has left us a legacy of prime New Orleans R&B which we can still enjoy today. Both Rev-Ola and Bear Family have CD reissues of Smiley’s work currently available. See the bottom of this post for more details.

Ripped from vinyl at 320 kbps. Password = greaseyspoon

Download from here:

http://rapidshare.com/files/236069907/Caldonia_s_Party.rar

Or here:

http://www.megaupload.com/?d=9LP3Q0JW

1. My Baby Was Right
2. Growing Old
3. Lowdown
4. Where Were You
5. Dirty People
6. Sad Life
7. Bee's Boogie
8. The Bells Are Ringing
9. Gumbo Blues
10. Ain't Gonna Do It
11. You're Not The One
12. Big Mamou
13. Caldonia's Party
14. Oh Baby
15. Playgirl
16. Blue Monday

Be Bop Wino recommends:

Mama Don’t Like It! 1950 – 56 (Rev-Ola Bandstand) – 33 tracks of primo Smiley, also available as an mp3 download from Amazon UK. A good value comp which comes in at a nice mid price.

Smiley Rocks (BCD 16676 AR) is a recently released 36 (!) tracker on Bear Family. This one costs rather more than the Rev-Ola comp, as Bear Family (like Ace) use original masters and don’t confine themselves to public domain recordings.

If you’re browsing the second hand CD racks you should look out for this 30 track compilation which came out on Sequel in 1990 – “New Orleans Bounce: 30 Of His Best”. 1990: that’s twenty years ago. Where has the time gone? Or more pertinently, where is it going?

Aaron Neville - Like It Is (Minit LP 40007)

Thanks to Joan for sending in this LP of Art Neville’s younger brother Aaron. Released by Joe Banashak’s Minit label in 1967, this LP consists of tracks recorded between 1960 and 1963. The album was an attempt to cash in on Aaron’s big hit for Par-Lo Records, “Tell It Like It Is”, which climbed to number 2 on the Billboard pop charts in December 1966. The original LP had twelve tracks but “Tell It Like It Is” has been added here. There is some surface noise and a bit of “stuttering” but the needle makes it through the decades old grooves in the end!

This post originally appeared on the old Be Bop Wino blog in May 2009.

Download from here:

http://rapidshare.com/files/233593858/Like_It__Tis_Aaron_Neville.rar

Or here:

http://www.megaupload.com/?d=9Y59YZC1

Ripped from vinyl at 128 kbps. Password = greaseyspoon

1. Over You
2. Get Out Of My Life
3. I Found Another Love
4. Don't Cry
5. Sweet Little Mama
6. I'm Waitin' At The Station
7. How Many Times
8. Let's Live
9. Everyday
10. Reality
11. Wrong Number (I'm Sorry Goodbye)
12. How Could I Help But Love You
13. Tell It Like It Is